Sony Odyssey7Q+ Setup-Handbuch - Seite 16

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POST PRODUCTION

Apple ProRes 422 (HQ)

The Odyssey 7 and 7Q records in Apple ProRes HQ which is a 10 bit 4:2:2 220Mb compressed

codec. This will allow for high quality recording while avoiding high data rates of working with

uncompressed video. (DPX)

NATIVE APPLE PRORES 422 SUPPORT

Adobe CC 2014

Apple FCP X, Aperture

Cineform Studio

FS700 RAW SUPPORT (DNG SEQUENCES)

All FS700 RAW recording on the Odyssey7Q is recorded as a 12-bit linear CinemaDNG file.

With DNG files, timecode and clip metadata is stored in every frame, as well as in the XML file

within each clip. All audio is recorded 48Hz 16 bit Uncompressed WAV audio.

It is important to correctly set the white balance of the camera, as this is baked into the RAW

file.

NATIVE CINEMADNG SUPPORT

Adobe CC 2014*

Apple FCP X, Aperture

*Pending next Adobe CC update.

FS700 RAW: DEALING WITH RAW FILES

Note that FS700 RAW files are Linear, thus the files need a Gamma 2.2 correction in order to

look correct. You may notice when you first import your files that they appear very dark before

correction.

FS700 DAVINCI RESOLVE IMPORT SETTINGS

1. Right click on the file and select "Edit CinemaDNG Codec Settings"

2. Then under the CAMERA RAW select be sure CinemaDNG is selected from the drop

down menu.

3. Set the Decode using method to CinemaDNG Default* (Also be sure your project is

setup correctly)

4. Set the White Balance to As Shot

5. Set the Color Space to Rec709

6. Set the Gamma to Rec709

7. Leave Highlight Recovery off

8. Click Apply

The Media Pool Camera RAW settings are the same as the ones in the color page and these

are designed for individual clip adjustment so its better to first set the 'Project Settings', 'Camera

RAW' as you need for the whole project.

Final Cut Pro 7

Black Magic DaVinci Resolve

The Foundry Nuke

Assimilate Scratch Lab (future update)

Black Magic DaVinci Resolve

Autodesk Smoke

Sony Vegas

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