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H A M M E R E D D U L C I M E R
O W N E R ' S G U I D E B O O K
Introduction and History
As a new owner of a Dusty Strings hammered dulcimer, you might want to
take a few minutes to read through this booklet. We have written it assuming that
you have little prior knowledge of the hammered dulcimer and of our instruments.
The intent of this booklet is to help familiarize you with the history, tuning, care,
and basic playing techniques of the hammered dulcimer. We hope it will answer
many of your questions and help you get to know your instrument and its
terminology.
First, a few words about the history of the hammered dulcimer. Some people
are surprised to learn that the hammered dulcimer is not a new instrument. In fact,
it's been around longer than most modern instruments, and is thought to have
originated in the Near East thousands of years ago. Its descendants include the
harpsichord and piano. Nearly every culture throughout the world has some form
of this instrument, ranging from the large Hungarian cimbalom to the fragile
Chinese yang chin.
The hammered dulcimer was probably brought to America by early settlers
from Europe. It was a popular instrument at square dances, and its easy portability
earned it the name "lumberjack's piano" in logging camps. In the late 1800s and
early 1900s factories were producing hammered dulcimers in quantity, and their
popularity had reached a zenith. Use of the instrument declined after the turn of
the century, and the hammered dulcimer became a rarity until the 1970s, when a
revival of interest in folk music focused attention on it once again. Today people
are rediscovering the unique and
pleasant sound of this instrument
and the relative ease of learning to
play.
The term "dulcimer" comes
from the Latin and Greek roots
"dulce" and "melos", which combine
to mean "sweet tune." The ham-
mered dulcimer is completely
unrelated to the "Appalachian" or
"mountain" dulcimer, which has
three or four strings and is
strummed.
4
Treble bridge
Soundboard
Top rail
Bottom
rail
Bass
bridge
Maintenance and Care of Your Dulcimer
Hitch pins
Each set of strings is called a course and is tuned to the same note (unison).
One advantage of the hammered dulcimer is that it is virtually maintenance-
free. With a minimum of periodic attention, your instrument will remain healthy
and sound beautiful for many years to come. While the strings of guitars and other
stringed instruments must be replaced often due to the corrosive effects of salt
and perspiration from the player's fingers, the hammered dulcimer's strings can last
many years with a little care. When tuning up, use a guitar pick instead of your bare
fingers to sound each string. If your dulcimer resides in a humid atmosphere, you
may notice a small amount of black corrosion or tarnish on the strings after a
while. Commercially available string wiping cloths work well for removing this
discoloration.
We use three types of strings on our dulcimers. Depending on the model,
your dulcimer will have strings that are common steel music wire, phosphor-
bronze, or wound. The string gauges and types used on each of our instrument
models are listed in the Strings and Tunings section (page 18).
The steel strings seldom break under normal conditions and will sound good
for years. If you need to replace one, you can find a loop-end guitar or banjo string
Side
bridge
of a matching gauge at most music stores, or you can purchase one from your
dealer or order one directly from us.
Phosphor-bronze strings are not as readily available. If you should require
replacements, your best bet would be to order them through your dealer or directly
from us. This type of wire has different physical properties than steel, and in some
situations provides a superior tone (as on some of the lower courses of the D35
model). However, there is a trade-off: phosphor-bronze has a lower tensile strength
than steel and "work hardens" (i.e., becomes brittle) with use, so it is subject to
more breakage than steel. If you like, you can try replacing a phosphor-bronze
Pin
string with a steel string of the same gauge, or perhaps one gauge thicker, and see
block
if you find the resulting tone acceptable.
S T R I NG M A I N T E N
S T R I N
S T R I N
S T R I N
S T R I N
G M A I N T E N
G M A I N T E N
G M A I N T E N A N
G M A I N T E N
Treble bridge
Side bridge
Bass bridge
Back
Rail
Soundboard
S T R I N
S T R I N
S T R I N G T Y P E S
S T R I N
S T R I N
G T Y P E S
G T Y P E S
G T Y P E S
G T Y P E S
A N C E
A N
A N
A N
C E
C E
C E
C E
Side bridge
Tuning pins
5