DIGISYNTHETIC DSM 134 Instrucciones de uso - Página 5

Navegue en línea o descargue pdf Instrucciones de uso para Equipos de grabación DIGISYNTHETIC DSM 134. DIGISYNTHETIC DSM 134 10 páginas. Professional mixing console dsp

5 STEREO CHANNEL SECTION
15 LEFT RIGHT PIN JACK
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This use for conectionctionction into
line level equipment.

16) LEFT.RIGHT

Line with connection 1/4 jack 0S line
input of L,R stereo and input the signal
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of balance line level,if the signal input
the input terniant of right side , output
into the side only , if each signal input
the inpuy teminal of left &right output a
stereo of left & right.
17) PAD (-10dB)
When push this switch, atteruates the
input signal-10dB
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18) GAIN
Adjusts unput sensitivity from 0dB to
+10dB
19) HIGH MID LOW
The sound tone controls are positioned
a f t e r t h e G A I N c o n t r o l ( 1 8 ) ; t h e
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boosting of these controls can cause
channel overloading, in which case the
PEAK LEDwill illuminate (23); turn the
G A I N c o n t r o l k n o b ( 1 8 ) i n a n
anticlockwise direction until the PEAK
LED (10) goes out.
-HIGH
: controls the high range of
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signals ( 15dB). When the knob is
centrally positioned (zero point ) ,sound
tone remains unchanged. Turn the knob
anticlockwise to gradually
h i g h f r e q u e n c i e s ( v o c a l s w i t h l e s s
cutting, etc.): turn the knob clockwise to
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boost high frequencies (sounds are
higlighted, vocals are more intelligible,
signal harmonics are emphasised).
- M I D :
c o n t r o l s t h e m i d - r a n g e o f
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signals ( 12dB). when the knob is
centrally positioned (zero point), sound
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tone remains unchanged. Turn the knob
anticlockwise to gradually reduce mid
frequencies (reduction of mid part of
sound, tones at extremes of high and low
ranges are emphasised, typical of dance
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music tones); turn the knob clockwise
to boost mid frequencies (sound body is
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highlighted, greater overall
power and more nasal tone).
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-LOW: controls the low range of
signals ( 15dB). When the knob is
centrally positioned (zero point), sound
tone remains unchanged. Turn the knob
anticlockwise to gradually reduce low
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f r e q u e n c i e s ( b o o m i s n e u t r a l i s e d ,
excessivel low sounds are removed);
turn the knob clockwise to Boost low
sounds are removed); turn the knob
clockwise to boost low freuencies (more
fullbodied sound, highlighting of main
signal frequencies, percussive sound
more pronouncad).
20) AUX1 AUX2
Use this control to the level of signal
from external soure and the main signal
control is recontroued by MASTER or
SUB section.
21) EFF1 EFF2
Use this control when you want to get
effect sound by adjustment of input
signal, when you don`tuse extemal
soure digital will be working which
installed inside.
22) PAN
K n o b f o r a d j u s t i n g s i g n a l s t e r e o
position,for constant variation for the
stereo image .Turn the knob to the left
(L)or right (R) to vary the proportion of
the two signals; turn the knob to far left
or far right to eliminate the opposite
signal. To connect stereo soures, use two
mono channels; position one PAN to
the left (L), the othe to the right (R).
23) PEAK 0dB-10dB
Red LED that lighs up when the signal
level at the tone control output is rear
clipping point. yellow LED is 0dB,
green LED is-20dB.
24) PFL
reduce
The PFL (pre Fader Listen) function
allows the level to be listened to before
the action of the volume control
25) SUB1-2
Push the switch, can use sub1-2fader
26) MAIN L-R
If you want to use master L-R fader,
push this switch.
27) PADER
ALPS 60mm slide control , with dust
guard. The fader adjusts channel signal
level to be sent to the main Master
MAIN controls L-R(41). Set the slider
to 0dB for maximum signal level; slide
sound
downwards to lower and eventually
eliminate ( ) the signal.
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