AVP Synthesizer MAD-5 mk2 Podręcznik użytkownika - Strona 5

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From there on the MIDI indicator will stop blinking meaning that the desired MIDI

channel has been set. It will be saved in the memory of MAD-5 mk2.

Powering MAD-5 mk2

Set the POWER button located on the rear to On. From that moment on MAD-5

mk2 is ready for action 

Overview of controls

MAD-5 mk2 structure consists of five analog drum instruments sections.

Each of the drum instrument has a volume control (LEVEL).

In the BD section, the TUNE control allows to adjust the pitch tone of the bass

drum, DECAY – decay control.

The WAVE control adjusts the form of the BD wave – from a sine wave form (left

position of the knob) to a square form (right position of the knob). Thus, the

WAVE control allows for quite a flexible sculpting of the BD tone.

In the SD section the TUNE control allows to adjust the pitch tone of the snare

drum, DECAY – to adjust the desired decay, SWEEP – frequency shift (the effect

applies in small proportions, maximum effect peak can be heard when the

positions of the SWEEP and TUNE knobs are turned fully clockwise).

The NOISE control adjusts the filter's cutoff frequency of the NOISE generator.

In the OH section the FILTER control allows to adjust the cutoff filter, DECAY –

adjusts the desired decay of the open hat.

In the CH section the FILTER control allows to adjust the cutoff filter, DECAY –

adjusts the desired decay of the close hat.

In the CL section the TUNE control allows to adjust the pitch tone, SPACE – the

attack time of the clap. NOISE control adjusts the filter's cutoff frequency of the

NOISE generator. DECAY control – the desired decay of the clap and MIX control –

the balance between the NOISE generator and a clap.

Note: At high volume settings, the OH and CH can be slightly heard (if pressed or

programmed) in the MIX OUT even with their volume levels at 0, this is due to the

80s type of schematics used which cannot be eliminated, in order to overcome

this we suggest to use the INDIVIDUAL OUTS.