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STEREO DYNAMICS PROCESSING
Stereo coupling
is
usefui for
all
c4>pIications
where two
channels
must
be
com-
pressed and the
left/right
perspective
must remain
the
same. Examples
include the
L
and
R
overhead mikes on a
drum
kit
or piano,
a
stereo
submix
of a vocal ensemble, the
feed
from an
X-Y
or other
pair
of
mikes
in
a
classical
recording, a
complete
stereo mix,
etc. Ail of
our
eariier
comments
about compression and
gating apply here; the difference
is
that
when
the Stereo
Couple
switch
is
pushed, the gain
changes
in
the
two
channels
will
be
identical.
In
this
mode,
the
signals
at
each rms
detector are
combined
(so
the true
rms
sum
can
be
sensed)
and
controlied.
As
mentioned,
all
functions of
Channel
1
control both
channels except
for
Sidechain
and
Bypass.
Use
this
mode
whenever imaging must remain
stable.
NOTES
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12
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