AIRFIX Doctor Who Welcome Aboard Инструкции по сборке и покраске - Страница 10
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lining to create the impression of plastic and satin.
Add a touch of brown to the base cream colour of
the shoes to create an ageing wash for the canvas
uppers and a touch of grey to the base colour of the
soles to create a wash for an authentic rubber look.
Complete the look of the shoes by Powderbrushing
beige and light brown into the recesses to recreate
dirt.
The hands should be painted using the same
techniques used to bring life to the flesh of the face.
The finger nails need to be painted in a lighter
version of the flesh tone and gloss varnished for
realism.
Martha's Head
1 Start with a base coat of Martha's flesh colour.
Create a wash of the basic flesh colour adding a
slightly darker brown and paint around the ears and
nostrils. Add a little more dark brown to the wash
and paint in the nostrils.
2 Paint the eyes by laying down a base coat of
light grey then using a wash of a 'pinker' flesh (add
red to the Doctor's base flesh colour), using this mix
paint in the corners of the eyes and under the eye
lids. Paint a dark brown, filled, circle for the
foundation of each Iris and add a ring of a much
deeper red/ brown to the Iris before adding a black
pupil and light grey highlight. Paint the upper and
lower eye lashes with a dark brown/black.
Powderbrush the eyelids with a mixture of a pigment
the same colour as Martha's base flesh and purple
to create her eye-shadow. Complete the eye with
gloss varnish. For the eyebrows Overbrush in base
hair colour and the Drybrush a lighter tone of the
same colour.
3 Paint the lips with a lighter, pinker version of the
base flesh tone. Create a deeper brown/red/
burgundy wash for the lips to bring out the detail
and emphasize the 'gap' between the lips.
4 Martha's skin needs to be painted using much
subtler technique than used on the Doctor – aside
from the initial wash employed on the ears and
nostrils all shading should be Powderbrushed.
Create a deeper version of the base flesh tone using
the Powderbrushing technique and brush the head
all over to add 'depth' to the skin tone. Particularly
brush between the cheek and the jaw line to
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emphasise the bone structure, also brush around the
nostrils, down the neck muscles and over the chest.
5 The final stage is to Powderbrush some life into
the flesh. Create a red Powderbrush pigment and
brush the powder onto the cheeks to represent
blusher also lightly brush the chest to give
additional 'warmth' to the skin tone.
6 Paint hair with a base coat of mid-brown followed
by a darker red/brown wash – finish the look with
a light dry brush of a brown which should be
slightly lighter than the base hair tone.
Martha's Body
Paint the body using flat even coats of paint. Add
subtle shading by Powderbrushing darker tones into
the creases of the vest. To paint authentic denim first
start with a flat even base coat of blue that is
slightly lighter than the darkest tone you want the
jeans to have. Add light grey to the base blue paint
and Overbrush the jeans. Drybrush the jeans at
least twice more adding light grey to the mix to
produce progressively lighter tones. The first coat of
Drybrush should be used to emphasise wrinkles all
over the jeans and subsequent layers need to be
built up around the worn areas of the thighs,
backside and knees. Finally add subtle shading by
Powderbrushing darker tones in the wrinkles.
Add a touch of brown to the base burgundy colour
of the shoes and jacket to create an ageing wash
for the leather. Complete the look of the shoes by
Powderbrushing beige and light brown into the
recesses to recreate dirt.
The hands and arms should be painted using the
same techniques used to bring life to the flesh of the
face. The finger nails need to be painted in a lighter
pinker version of the flesh tone and gloss varnished
for realism.
To produce an even more superbly finished model,
you may want to add to your paint collection
Humbrol Acrylic shades: 24 Yellow 33 Black 34
White
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