Wide-angle prime
E 16mm F2.8 SEL16F28
Aspherical lens
At 16 mm
100
80
60
40
20
0
3
6
9
12
Distance from optical center
of lens (mm)
Max. aperture
F8 aperture
Spatial frequency
R
T
R
10 line pairs/mm
30 line pairs/mm
R: Radial values T: Tangential values
56
Auto mode, .6 sec., F2.8, +0.25 EV, ISO 800, Auto white balance; Photo: David McClain
Ultra-slim (22.5 mm) and lightweight with high-quality metal exterior
5-element design with one aspherical element for top-class optical performance
Ideal for shooting stills or movies
Circular aperture for attractive defocusing
Built-in motor delivers smooth, quiet autofocus operation
35mm equivalent focal length: 24mm
Combine this compact wide-angle prime lens with any E-mount camera
for a totally new photographic experience. Mounted on any of the slim
bodies for which it is designed it becomes part of an extraordinarily
compact, portable photographic system that can slip comfortably into a
coat pocket, ready to shoot at any time. In action it gives you wide 16mm
coverage ( equivalent to a 24mm lens on a full-frame 35mm camera ) for
comfortable shooting in situations ranging from cramped indoor settings
to sweeping landscapes, and the large F2.8 maximum aperture is ideal
for handheld shooting in low light. The SEL16F28 is an excellent choice
for both stills and movies, particularly since its quiet autofocus/aperture
operation will contribute to high-quality movie sound.
• Weight (approx): 67 g
• Dimensions (Dia. x L): 62 x 22.5 mm
T
• Max. magnification ratio: 0.078x
Fisheye Converter
Ultra Wide Converter
VCL-ECF1
VCL-ECU1
Fisheye and Ultra Wide Converters
Although the 16mm SEL16F28 is a wide-angle lens, these converters can give you an even wider view.
The VCL-ECF1 Fisheye Converter goes a step further with a 180° angle of view that is equivalent to a
15mm lens on a 35mm full-frame format camera, with fascinating curvilinear "fisheye perspective."
The VCL-ECU1 Ultra Wide Converter provides an angle of view equivalent to that of an 18mm lens
on a 35mm full-frame format camera, making it possible to shoot dramatic wide-angle scenes with
extended depth of field. Both converters attach securely with bayonet mounts, ensuring optimum
optical alignment and image quality. Furthermore, these converters cause no light loss so f-stop values
remain unchanged.
SEL16F28 with VCL-ECF1, E 16mm F2.8 with Ultra Wide Converter, 1/3200 sec, F/6.3, ISO 200, Auto white balance
With Fisheye Converter
Without converter
With Ultra Wide Converter
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