Canon EOS-1Ds Mark III Handbuch - Seite 16

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The PIXMA Pro9500 is exactly what I want for

both my commercial and fine art photography."

s a photographer and an illustrator, the first

things I noticed in the prints I made with the

Pro9500 are the incredible detail and richness

of color. Then, I started to become aware of the

subtleties—the fine tonal gradations, the difficult

areas of transition, the fine detail in highlight and

shadow areas—that make a huge difference in

perceived image quality. That I can produce such

fine prints with an inkjet printer is absolutely

amazing to me. Canon got it right with the LUCIA

pigment inks. My prints have to be color-stable

and fade resistant, and the Pro9500 excels in

both areas. Being

able to choose from

so many paper types

is also a big plus.

— Jane Conner-Ziser

Support for a Wide Range of Media Types

Numerous Specialty and Fine Art Media Choices

The PIXMA Pro9500 provides unsurpassed support for numerous types of output media, including

specialty media, such as RC photo and various other fine art papers. The printer features versatile

dual paper paths, providing a choice of top or front paper feeding to accommodate a wide array of

media types. A manual front feeder enables the use of large, non-standard paper sizes as well as

thicker fine art and specialty media (up to 1.2mm).

More Accurate Color

The Pro9500's 10-color pigment ink system, which is based on the LUCIA set developed for Canon imagePROGRAF profes-

sional printers, results in a much wider tonal range than conventional inkjet printers. With many more available hues, the

Pro9500 delivers more faithful, more fully saturated color reproduction of images captured by today's top digital cameras,

such as Canon EOS Digital SLR cameras. And because the Pro9500 software fully supports ICC-profile-based color managed

workflows, photographers can count on exceptional consistency and color accuracy in their prints.