EnSoul Rossebeck Balalaika Benutzerhandbuch - Seite 2

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Balalaika
Before You Play
Our Prima Balalaika
measures approximately
27" (686 mm) in length
with the body having
the classical triangular
shape. The back is
slightly bowed and
made with solid-wood
stave construction.
The contrast between
Soundboard
the dark body and light
soundboard adds to
the striking look of this
balalaika. Familiarize
Bridge
yourself with the
balalaika's parts from
the diagram on the
right.
End Pins
Tuning your
Balalaika
Before tuning, the proper bridge position must be located. First find
the nut. The nut is the bar at the joint between the neck and the peg
box. Measure the distance from the nut to the 12th fret. Repeat this
distance from the 12th fret to the bridge location. The nut and the
bridge should be equal distance from the 12th fret. Position the bridge
at a right angle to the strings. The Balalaika strings are tuned above
middle C to: A, E, E (1st-3rd). The 1st string is the thinnest, and lays
over more frets than the 2nd & 3rd strings. Use a piano or electronic
tuner as a reference for tuning.
Tuning Pegs
Peg Box
Nut
Neck
12th Fret
Pancer
Holding your
Balalaika
You may be most comfortable playing the balalaika while seated in a chair.
Hold the neck between the thumb and index finger of your left hand. Tuck
the body of the balalaika under your right arm and hold it close to your
chest. The corner of the instrument should rest between your knees. This is
a very similar position to playing the guitar.
Playing your
Balalaika
The soundboard of the balalaika is a
relatively soft unfinished wood. Strumming
over the center of the soundboard can
disfigure the wood. Therefore, the balalaika
is strummed high on the soundboard over
the pickguard, called the pantsir' or pancer. The pancer is decorative but
also protects the soundboard from damage. To play, the left hand notes the
strings while the thumb or index finger of the right hand sounds the strings.
The most common method of playing the Balalaika is Strumming. With the
balalaika correctly tuned, play some down strokes with the fleshy part of the
right thumb. Be sure to stroke with your entire forearm, not just your wrist.
The thumb may be laid along the index finger for stability.
The Tremolo consists of fast up-and down beats with the right index finger.
It can be used to play all strings or just a single string. The beats must be of
equal power, up and down. The tremolo can be interrupted after every note,
or combined with several notes. Rapid up and down strumming on long
notes produces the singing tone specific to this instrument.
With the Pizzicato, you use your right thumb to produce downward beats
and your right index finger to produce upward beats.
The Left Hand Pizzicato refers to plucking the strings with your left hand.
For more in depth information we recommend the Complete Balalaika
Book with Online Audio available at www.mid-east.com.