Cineo Edge 80 Benutzerhandbuch - Seite 10

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Adjusting DMX Slot 3

This shows the third DMX slot value based on the current personality setting. The control console can

change the value of this channel using the UP/DOWN buttons, and results are reflected on the output of

the fixture. No "ENTER" is required for the new value to take effect.

If the unit is in either 8-bit or 16-bit HSIC personalities, this slot adjusts amount of color Saturation, from

0-100%.

If the unit is in either RGBC personalities, this slot adjusts the value of the Blue channel, 0-100%.

Adjusting DMX Slot 4

This shows the fourth DMX slot value based on the current personality setting. The control console can

change the value of this channel using the UP/DOWN buttons, and results are reflected on the output of

the fixture. No "ENTER" is required for the new value to take effect.

If the unit is in either 8-bit or 16-bit HSIC personalities, this slot adjusts the Hue angle, from 0-360º.

If the unit is in either RGBC personalities, this slot adjusts the CCT, in values from 2700 to 6500K.

8-BIT vs 16-BIT

Standard DMX data structure is 8-bit, which limits the value range between 0-255. This is the preferable

operating mode for maximum compatibility with DMX controllers. If more precise control is required, the

unit can be operated in 16-bit mode, offering a value range of 0-65,535. On the surface, this sounds more

valuable than 8-bit mode, however operating in this mode assigns two DMX channels for each control,

working in pairs, requiring twice as many DMX addresses. The first DMX channel in the pair is the COURSE

adjustment of the control, while the second channel is the FINE adjustment. The COURSE channels

operate identically to 8-bit controls, while the FINE channels in the pair adjust in-between adjacent

values of the COURSE control. To further explain, the COURSE channel adjusts values of 0-255 while the

FINE channel adjusts between only two control values. If, for example the COURSE channel is set at value

165, the FINE channel adjusts between 165 and 166. Fortunately, most professional lighting consoles

allow controls to be set up in 16-bit mode, so a single fader manages the two channels automatically. It is

recommended that 16-bit mode only be used when the DMX controller supports 16-bit operation.