Yamaha RGX121Z Broschüre - Seite 9

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Yamaha RGX121Z Broschüre
Model
SG3000
Construction
Neck Through
Scale Length
24 3/4" (628.6mm)
Fingerboard
Ebony
Radius
13 3/4" (350mm)
Frets
22
Body
Carved Maple, Mahogany
Maple + Mahogany
Neck
Maple + Mahogany 3piece (Neck Through)
Bridge
T-O-M Bridge
Pickups
Yamaha Alnico V Covered Humbucker X 2
Pickup Switch
3-Position Toggle
Controls
Front Volume, Rear Volume, Front Tone
Rear Tone with Push-Pull Switch
Colors
Black Metallic, Gold, Wine Red
SG1000
Black
SG2000
Neck Through
24 3/4" (628.6mm)
Ebony
13 3/4" (350mm)
22
Carved Maple, Mahogany
Maple + Mahogany
Maple + Mahogany 3piece (Neck Through)
T-O-M Bridge
Yamaha Alnico V Humbucker X 2
3-Position Toggle
Front Volume, Rear Volume, Front Tone
Rear Tone with Push-Pull Switch
Brown Sunburst, Red Sunburst, Black
SG1000
Red Sunburst
SG1000
Set Neck
24 3/4" (628.6mm)
Ebony
13 3/4" (350mm)
22
Carved Maple, Mahogany
Mahogany
Maple + Mahogany 3piece
T-O-M Bridge
Yamaha Alnico V Humbucker X 2
3-Position Toggle
Front Volume, Rear Volume, Front Tone
Rear Tone with Push-Pull Switch
Brown Sunburst, Red Sunburst, Black
Over Binding Frets
This precision design extends the
fret all the way to the edge of the
SG1000
fi ngerboard, ending at a point above
the binding. It prevents string drops
Brown Sunburst
when bending or vibrating the strings,
and offers dynamic performance.
Semi Open Humbucking
Pickup (SG2000/1000)
This original pickup was developed
with an Alnico V alloy magnet for use
on the SG. It produces a fat sound
that is sweet and rich. Other original
Yamaha designs utilized here are the
semi-open cover, which contributes
both to noise prevention and power
output, and triple support escutcheon,
which adjusts pickup height and angle.
Die-Cast Bridge
The highly rigid die-cast bridge is
assembled directly to the body. Its
well thought design offers a wider
adjustment range that allows accurate
s t r i n g h e i g h t a n d o c t a v e p i t c h
adjustment. A sustain plate placed
underneath the bridge on the SG2000
produces richer sustain.
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