Yamaha S70 XS Handbuch - Seite 3

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Auch für Yamaha S70 XS: Broschüre & Specs (2 seiten), Installationshandbuch (6 seiten), Broschüre & Specs (6 seiten), Handbuch (4 seiten)

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Reverb processor can be thought of as the

external environment.

The SYSTEM EFFECTS (Chorus and Reverb) are

overall effects – they are shared by all the

Elements

together.

environment for the sound. That is, the SYSTEM

EFFECTS are very much like the room acoustics.

Reverb is the size and shape of the room in which

the instrument is played. The Chorus processor

can be thought of as a "time delay" effect. Its

principal function is from extremely short time

delays (Flanging and Chorusing) to long multiple

repeat

delays

(like

important to the perception of a sound – it gives

the listener a sense of distance from the sound

source.

In PERFORM mode:

There can be up to 4 Voices plus an A/D INPUT in

a Performance. The DUAL INSERTION EFFECTS

are available for all four synth Parts of the

Performance and for the A/D Input. That is, the

synth Voices in a Performance can recall their

original Dual Insertion Effect routing and control

while in a Performance. What actually happens is

you are activating the Dual Insertion effects that

are programmed in at Voice level. Insertion

Effects are applied at the VOICE Edit level.

They

provide

the

outer

Echoes).

Time

Delay

What this means: An organ sound that has a

Rotary Speaker and Amp Simulator effect back in

Voice

mode

(personality) effects when you place it in a PART

of a PERFORMANCE. The guitar sound that has an

Overdrive Distortion and Wah-Wah effect back in

Voice mode will automatically recall these effects

when you place it in a PART of a PERFORMANCE.

The Full Concert Grand piano will automatically

bring along its Damper Resonance – because

INSERTION EFFECTS can be considered a part of

the VOICE. Of course, any assigned controllers are

also automatically recalled as well.

If you think of these personality effects (Insertion

Effects) as the personal property of the Voice, it may

become clear. The guitar player sitting a home in his

apartment (VOICE mode) connects (inserts) his guitar to

an overdrive stomp box and a wah-wah pedal... these

are his personal effects... when he joins the band at the

rehearsal hall (Performance mode) he can bring these

two personal (insert) effects with him.

Each Voice in a Performance is called a 'PART'.

And each Part has an individual send level to the

System Effects so that you can control how much

is applied individually. There is a return level from

each System effects. The total signal is delivered

to the Master EFFECT, then to the Master EQ and

then on to the stereo outputs.

The System Effects belong to the rehearsal hall... they

are, after all, the room acoustics of this new location. All

the instruments will share the same room acoustics,

however, you have an individual SEND amount control

to position each player within that room.

We mentioned that the A/D INPUT PART can also

use a pair of Insertion Effects. And this is very

powerful because for each PERFORMANCE you can

customize

the

settings are global for Voice mode – this means

the setup you create for the A/D Input while in

Voice mode is a setup that will be for all of Voice

mode.

But

PERFORMANCE

PERFORMANCE basis. This makes sense because

the purpose of PERFORMANCE mode is for you to

put together the things you would want to recall

while performing. You plan ahead, decide on this

particular number I want the microphone to have

a compressor, a tempo delay, reverb and EQ, and

on this next particular song, I don't need the

microphone at all. You can setup to have the

microphone ON or OFF, with particular effects or

none... it is entirely your call. So rather than trying

to readjust the microphone setting on-the-fly a

PERFORMANCE is a place to store your customized

setting for you microphone on a per program

basis.

will

automatically

recall

microphone

channel.

the

setup

you

create

mode

can

setup

these

The

Mic

for

per