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TEST REPORT

P L U S

Outstanding multichannel performance.

Impressive bass, full-range dynamics.

Bipole/dipole-selectable surrounds.

Changeable side panels.

M I N U S

Big subwoofer.

Center-speaker base a little too high.

the left and slightly behind the front left

speaker.

The 4200 LR front speakers are true sat-

ellites, not intended for use without a sub-

woofer, so I began with plain stereo, but

with the subwoofer hooked up, too. What I

initially heard was a "close," dry sound

with a hint of male-voice chestiness — that

gave me a chance to start trying out those

C.O.R.E. controls.

A bit of experimentation told me that the

4200 LRs are sensitive to vertical place-

ment. I adjusted the stands so that their

tweeters were about even with my seated

ear height and switched on the Boundary

Compensation switches, since they stood

only 18 inches to either side of my TV. The

midrange became more open and relaxed,

4200 LR

(front L/R)

1-inch dome

TWEETER

two 5

⁄

-inch cones two 5

MIDRANGE

—

WOOFER

sealed

ENCLOSURE

—

POWER

gold-plated

INPUTS/

multiway binding

OUTPUTS

posts; Boundary

AND

Compensation

CONTROLS

and treble

switches

8 x 15 x 9

⁄

DIMENSIONS

(WxHxD)

inches

14 pounds

WEIGHT

maple, gloss

FINISH

black, or matte

silver side panels;

metal-screen grille

$930 a pair (plus

PRICE

Total: $3,500 in

side panels; $70

maple, $3,600 in

in maple, $105 in

black or silver

black or silver)

Atlantic Technology, www.atlantictechnology.com; 617-762-6300

MANUFACTURER

54 MAY 2004 SOUND & VISION

while the treble added signiﬁcant air and

life to the mix. And that touch of "hoo"

caused by reﬂections from the screen dis-

appeared almost entirely.

The Atlantic Tech system punched out

multichannel music with ﬁnesse and im-

pressive impact. The DVD-Audio mix of

Donald Fagen's Kamakiriad solo album is

an amazingly pristine production in both

its recording and performance (almost an-

tiseptic), and the System 4200 showed its

virtues to a tee: preternatural clarity — es-

pecially noticeable on drums and guitars

— and huge dynamic range.

The System 4200 also proved to be one

of those speaker systems that sounds better

the louder you play it. I found myself lis-

tening to Fagen's "Snowbound" repeatedly

at ever-increasing volumes, reaching a lev-

el that audibly sweated the front-speaker

trio some 10 dB above THX reference lev-

el — and that's loud.

One advantage of a system that's prop-

erly designed as a sub/sat layout from the

ground up is that you don't have to fuss

fast facts

4200 C

4200 SR

(center)

(surround)

1-inch dome

two 1-inch domes

⁄

-inch cones two 4

⁄

-inch cones

—

sealed

—

gold-plated

multiway binding

posts; Boundary

posts; Bipole/

Compensation

Dipole switch

and treble

switches

⁄

x 8

⁄

x 8

11 x 12

⁄

x 7

inches

16 pounds

11 pounds

maple, gloss

black or white;

black, or matte

metal-screen grille

silver side panels;

metal-screen grille

$550 (plus side

$900 a pair

panels; $50 in

maple, $75 in

black or silver)

Harry Potter and the Chamber of

Secrets could have been designed as

a home theater demo disc, and the

Atlantic Technology System 4200 met

every wizardly challenge.

with crossover and level settings. I set the

642 SB subwoofer's Lowpass switch to

Bypass, skipping its onboard crossover in

favor of my preamp/processor's, which I

set to 80 Hz. After I balanced levels, the

system sounded perfectly integrated. The

languid, but incredibly solid bass on "Snow-

bound" was deliciously rich and punchy,

yet with the superb deﬁnition and "quick-

ness" that only an excellent sub and an ex-

pertly matched sub/sat system can achieve.

The Fagen DVD also provided perfect

test material for comparing the 4200 SR's

bipole and dipole modes. The verdict: bi-

642 SB

(subwoofer)

pole wins. I still prefer dipole surrounds for

movie sound and naturalistically recorded

—

music, but with mixes that put discrete ma-

—

terial in the surround channels — like a

12-inch cone

hand-percussion shaker in the right rear —

bipole clearly sounded better.

sealed

With this musical introduction, I expect-

300 watts

ed nothing short of great movie sound

from the System 4200, and I wasn't disap-

RCA line-level I/O;

level, low-pass

pointed. Playback was about as seamlessly

controls; normal/

integrated, solidly spatial, and colorful and

bypass, phase-

invert, and auto-

dynamic as I could want.

power switches

Harry Potter and the Chamber of Se-

⁄

19 x 21 x 18

⁄

crets is a ﬁrst-rate 5.1-channel production

inches

with just about every surround sound vir-

65 pounds

tue. Through the sequence of the ﬂying car

catching up to the train, I was struck by

maple, gloss

black, or matte

how little the timbre of the engine's pop-

silver side panels;

pop-popping changed as it swooped from

black cloth grille

channel to channel and position to posi-

$920 (plus side

tion. The quidditch match a bit later might

panels; $80 in

maple, $120 in

as well have been designed as a home the-

black or silver)

ater demo: the whizzing balls and brooms,

crashes and impacts were all spectacularly

present and three-dimensional. And in the