AudioControl Ten Series III Manual del usuario - Página 7

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At least three feet away from
corners cuts bass addition.
ing the bass wave from "bouncing" off the floor and arriving a little bit late at your
ear. Also many new speakers are tilted slightly or place their woofer fairly high in
the enclosures to get around this.
If your speakers sound "bonky", like a juke box, try getting them off the
ground this way. Just a trial wherein you prop your speakers up on some beer
bottles will give you an idea of the effect.
More likely, you're not getting enough bass. Even though you bought your
TEN to rectify that situation, first start trying corner and floor snuggling. This is
the best way to boost bass because it does not require more amplifier power. You
can always add even more chest-stomp'n bass later.
WHY SPEAKERS HAVE SPEECH IMPEDIMENTS
The improvement of your speaker's performance is one of the best uses for the
TEN. That's not a slur on those Zonkophone 8000, pride-and-joy speakers you
bought last year, just an observation that no-one's invented the perfect loudspeaker
yet.
First, many speaker elements...the woofers, tweeters, and midranges...aren't as good
as they could be to start with. They may have peaks within their frequencies at the
same sound level, or they may not be able to reproduce their whole assigned total
tonal range as well as they could.
The enclosure, too, can be less than optimal. Its composition, volume, inside
damping materials and actual proportions all add to or subtract from a speaker's
performance.
What we're saying is that most speakers can stand a little improvement. Even the
best of them. And that inexpensive speakers can stand a LOT of equalization.
Because, in the signal chain from microphone to speakers, the speaker is the
weakest link. Distortion that averages less than 1% in the mike and amp can be as
much as 30% in a speaker system. It's just a lot easier to design distortion-free, wide
frequency range electronics than it is electro-mechanical speakers with magnets and
cardboard cones and wire and surfaces that have to flex back and forth.
Lesso
basso
reduce-o
Corners act as horns to increase bass.
Mondo
basso
profundo
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