DAPAudio D2352 Manual - Página 8

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IMIX 5.3

Functions

PFL button

The PFL button (pre fade listening) is designed to route the corresponding channel's input to the

headphone section, independent of the individual channel's volume fader setting. It is possible to assign

more than one channel simultaneous to the PFL bus.

Channel gain control

Channel input level is determined by the gain control. With the gain control you are able to adjust the

line input-sensitivity for an optimal match with the mixer's internal operation level. The high gain of this

mixer is ideal when dealing with very low input levels.

Ordercode: D2352

1. Mic gain control

The input sensitivityof the Mic (2) input is determined by the gain control. With the

gain control you are able to adjust the input-sensitivity for an optimal match with

the mixer's internal operation level. The high gain of this mixer is ideal when

dealing with very low input levels.

2. Mic input combo connector

Electronically balanced combo-type input for connecting low impedance

microphones. The input has extremely low noise and low hum. When connecting

a microphone make sure that the pin assignment is correct. Always make sure to

read the manual of the microphone you want to connect. The combo- input is

not suitable for connecting an additional mixing console, FX- unit, etc. You have

to use the line (17,20,37-40) inputs, when connecting this kind of equipment.

Note: When connecting signal sources, please make sure the corresponding

channel faders and the master faders are at their minimum settings. Otherwise

unpleasant plug-in noise can occur.

3/4/6. Equalizer section (hi/mid/low)

The microphone channel's equalizer section allows shaping of the incoming

audio signal. All input channels are fitted with 3-band EQ. The high (2) and low (1)

shelving controls have their frequencies fixed at 10 KHz and 100 Hz respectively.

The mid (3) range control has a peaking response frequency at 1 KHz. All 3 bands

have up to 12dB cut and boost, with a centre detent. Turning an equalizer control

to the right amplifies the frequency range; turning to the left attenuates the

signal. Minor changes to an equalizer control usually produce the best results. Try

to avoid excessive enhancement of the mid band.

Mic level control (Mic 1/2)

Controls the volume of the corresponding microphone channel.