Blue Snowball Manual del usuario - Página 5

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Frequency Response

20 30 40 50

100

1 setting

This frequency chart is only a start. It gives the recordist a basis of the sound provided. How the microphone reacts in a particular application will differ greatly because of many

variables. Room acoustics, distance from sound source (proximity), tuning of the instrument and mic cabling are only a few of the interacting issues. For an artist or an engineer,

how the microphones are used creates the basis of the sound.

of applications coupled with an ease of use never before offered in a studio microphone. Because

of its rugged construction, dual-capsule design and high-spl specification, you can use the

Snowball virtually anywhere — including the Arctic Circle!

Why TWO capsules?

The Snowball uses two separate capsules to offer you a wide variety of applications. The first cap-

sule generally "hears" what's right in front of it in a fixed cardioid pattern with a neutral sonic sig-

nature (engineering geeks call this unidirectional). The second capsule generally "hears" everything

around it with a brighter overall sound (engineering geeks call this omnidirectional).

500

kHz

2 setting

(well, of course, two capsules are better than one!)

270 °

225 °

kHz

3 setting

0 °

45 °

315 °

135 °

180 °

Polar Response

100Hz

250Hz

90 °

500Hz

1kHz

2.5kHz

4kHz

8kHz

16kHz