Audiopax 5 Manuel - Page 8

Parcourez en ligne ou téléchargez le pdf Manuel pour {nom_de_la_catégorie} Audiopax 5. Audiopax 5 10 pages.

The Timbre Lock®

Every audiophile has heard and used the term "synergy", which represents the

perfect match between the parts of a system. It is a continuous pursuit of the high-end

audio market, justifying numerous tests and equipment changes. This demand is

usually based on trial and error processes and often gives any audiophile not only the

expenses associated with continuous exchanges but also frustrations rather than only

good results.

Timbre Lock

that acts on exactly one of the most important parameters that define our impression of

"synergy" among the components of a system: the joint behavior of its distortions. They

are present in all Audiopax preamps and amplifiers and replace the "trial and error"

process of continuously changing equipment and parts of a system with a set of simple

potentiometer adjustments. Model 5 preamp follows the same Timbre Lock

originally developed for Model 88 but with a different implementation.

Sound effects do not operate in the domain of frequency response, as in today's

little-used tone controls, but rather operate in optimizing the residual harmonic

distortion spectrum amid the preamplifier, amplifiers, and speakers. Because of this, its

final effect is difficult to define and inherently dependent on the system itself.

Improvements in instrumental tone perception, micro-dynamics, general definition, low-

frequency impact and articulation, and even more subjective factors such as emotional

involvement and the real sense of the presence of musicians in your listening room are

often observed.

It is impossible to predict the optimal configuration for each case, as the result

will be dependent on the systems and the listening rooms themselves. Adjustments

should, therefore, be made through comparative hearings by the users themselves.

Remember that since the Timbre Lock

is very important to balance the volume levels during the tests with the volume control.

The adjustments are very dependent on the characteristics of the speakers and

also on the amplifiers used but we can have the following list as an initial reference:

●

Class A tube amplifiers (like all Audiopax amplifiers) tend to perform best

with the Timbre Lock

, a unique innovation of Audiopax, can be considered a control

set to low (between zero and -10).

also acts on the final gain of the preamplifier it

concept