Sony NEX-7K Spécifications - Page 29

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Wide-angle prime

E 16mm F2.8 SEL16F28

Aspherical lens

At 16 mm

100

Distance from optical center

of lens (mm)

Max. aperture

F8 aperture

Spatial frequency

10 line pairs/mm

30 line pairs/mm

R: Radial values T: Tangential values

Auto mode, .6 sec., F2.8, +0.25 EV, ISO 800, Auto white balance; Photo: David McClain

Ultra-slim (22.5 mm) and lightweight with high-quality metal exterior

5-element design with one aspherical element for top-class optical performance

Ideal for shooting stills or movies

Circular aperture for attractive defocusing

Built-in motor delivers smooth, quiet autofocus operation

35mm equivalent focal length: 24mm

Combine this compact wide-angle prime lens with any E-mount camera

for a totally new photographic experience. Mounted on any of the slim

bodies for which it is designed it becomes part of an extraordinarily

compact, portable photographic system that can slip comfortably into a

coat pocket, ready to shoot at any time. In action it gives you wide 16mm

coverage ( equivalent to a 24mm lens on a full-frame 35mm camera ) for

comfortable shooting in situations ranging from cramped indoor settings

to sweeping landscapes, and the large F2.8 maximum aperture is ideal

for handheld shooting in low light. The SEL16F28 is an excellent choice

for both stills and movies, particularly since its quiet autofocus/aperture

operation will contribute to high-quality movie sound.

• Weight (approx): 67 g

• Dimensions (Dia. x L): 62 x 22.5 mm

• Max. magnification ratio: 0.078x

Fisheye Converter

Ultra Wide Converter

VCL-ECF1

VCL-ECU1

Fisheye and Ultra Wide Converters

Although the 16mm SEL16F28 is a wide-angle lens, these converters can give you an even wider view.

The VCL-ECF1 Fisheye Converter goes a step further with a 180° angle of view that is equivalent to a

15mm lens on a 35mm full-frame format camera, with fascinating curvilinear "fisheye perspective."

The VCL-ECU1 Ultra Wide Converter provides an angle of view equivalent to that of an 18mm lens

on a 35mm full-frame format camera, making it possible to shoot dramatic wide-angle scenes with

extended depth of field. Both converters attach securely with bayonet mounts, ensuring optimum

optical alignment and image quality. Furthermore, these converters cause no light loss so f-stop values

remain unchanged.

SEL16F28 with VCL-ECF1, E 16mm F2.8 with Ultra Wide Converter, 1/3200 sec, F/6.3, ISO 200, Auto white balance

With Fisheye Converter

Without converter

With Ultra Wide Converter