Yamaha Clavinova CLP-121S Manuel du propriétaire - Page 7

Parcourez en ligne ou téléchargez le pdf Manuel du propriétaire pour {nom_de_la_catégorie} Yamaha Clavinova CLP-121S. Yamaha Clavinova CLP-121S 23 pages. Yamaha digital piano owner's manual
Également pour Yamaha Clavinova CLP-121S : (Manuel d'instructions (25 pages)

Yamaha Clavinova CLP-121S Manuel du propriétaire
Selecting & Playing Voices
Z
Turn Power On
POWER
X
Set the Volume
MASTER VOLUME
MIN
C
Select a Voice
CLAVINOVA
PIANO
E. PIANO
TONE
V
Play
The CLP-121S features a demonstration tune that effectively demonstrates its sound capabilities.
Here's how you can play the demo tune.
Z
Start the Demo Tune
MIDI/
TRANSPOSE
X
Set the Volume
MASTER VOLUME
MIN
C
Stop the Demo
MIDI/
TRANSPOSE
After making sure that the Clavinova's AC plug is properly inserted into
a convenient AC wall outlet, press the [POWER] switch located to the left
of the keyboard to turn the power ON.
When the power is turned ON, the [PIANO] voice selector LED will
light (the PIANO voice is automatically selected whenever the power is
turned ON).
Initially set the [MASTER VOLUME] control about half way between
the "MIN" and "MAX" settings. Then, when you start playing, re-adjust the
MAX
[MASTER VOLUME] control for the most comfortable listening level.
Select the desired voice by pressing one of the voice selectors.
HARPSI-
ORGAN
CHORD
The Clavinova offers keyboard touch response, so the volume and timbre
of notes played can be controlled according to how "hard" you play the
keys. The amount of variation available depends on the selected voice.
Playing the Demonstration Tune
Press the G6 key while holding the [MIDI/TRANSPOSE] button to start
demo playback.
G
6
Use the [MASTER VOLUME] control to adjust the volume, and play
along on the keyboard if you like.
MAX
Press the [MIDI/TRANSPOSE] button when you want to stop demo
playback and return to the normal play mode.
The Demo Tune
"Für Elise" by Beethoven (PIANO voice)
* The demonstration piece is a short excerpt from the original composition.
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