Yamaha CPX900 Manuel de l'utilisateur - Page 11

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SRT Series

SRT Delivers Amazingly Authentic Acoustic Tone

When professional guitarists want to record real acoustic guitar tone,

they'll record the guitar with a microphone. That holds true for guitarists

who prefer using electric-acoustics on stage as well. Electric-acoustics are

very effective in live situations due to their ability to adjust sound and

balance volume with the other instruments in the band. But the sound

that electric-acoustics deliver is merely the amplified sound from a pick-

up attached to the bridge or the top, and lacks true acoustic resonance

and ambiance. True acoustic guitar tone that you hear on recordings only

Yamaha SRT Series

System 62/63

exists in the recording studio where experienced sound engineers have

the means to capture that sound.

Yamaha's new SRT system lets you create that same studio recorded sound.

The system lets you choose from three different high-end mic types as well

as mic positioning. It also lets you obtain more detailed sound by blending

the sound with that from the piezo pickup and adjusting resonance.

The SRT series brings studio quality acoustic guitar sound to the stage that

will amaze your audiences.

Advanced Features for Playing Live and Recording

Three High-End Mic Types

Select from models of three microphones most-favored by recording en-

gineers around the world. (Mic models are created using data collected

from these microphones.)

Type 1:

Type 2:

Type 3:

Neumann U67

Neumann KM56

Royer R-122

Vintage condenser large

Vintage condenser small

Modern ribbon micro-

Diaphragm microphone

phone known for its soft

k n o w n f o r i t s w i d e

known for its smooth,

response with a gentle

frequency range and dy-

accurate and delicate

high-end and thick and

namic response. Good for

high-end. Recommended

warm tone. Smooths hard

all musical playing styles,

for arpeggios, ballads,

picking into a rounder

follows phrasing well.

finger picking, etc.

tone. Recommended for

Recommended for comp-

Jazz and Blues playing.

ing and rock playing.

Adjustable Body Resonance

The RESONANCE knob allows you to add body resonance to the sound,

emphasising the natural tone of the guitar.

* The RESONANCE control is only effective on the mic sound.

Less resonance

More resonance

★ Keep Feedback Under Control

These instruments incorporate Yamaha's original

A.F.R. (Auto Feedback Reduction), which automati-

cally detects the frequency causing the feedback

and applies a notch filter to suppress the problem

frequency. When feedback occurs, simply switch the

A.F.R. button ON. Up to five filters can be applied.

Professional Mic Positions

Choose miking positions close or far.

FOCUS:

On mic setting (mic po-

On mic

sitioned 20-30cm from

the guitar). Captures

string and body reso-

nance clearly to deliver

a fat, expansive sound

and excellent projection.

WIDE:

On Mic combined with

On mic

Off Mic setting (mic posi-

tioned a few meters away

from the guitar). Close

Off mic

to the ambient sound

that the ear hears when

listening to a guitar. Rec-

ommended for solo and

ensemble playing.

Blending Piezo and Mic Sound Sources

Blend piezo pickup and microphone sources to create a wide palette

of tonal variations. Blending the sound from the piezo pickup with the

sound from the built-in mic adds sharpness.

(full left)

(full right)

Piezo pickup only

Mic sound only

Yamaha SRT Series