Nikon D3 Brochure & Specs - Page 7

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• Lens: AF-S VR Nikkor 200mm f/2G IF-ED • Image quality: 14-bit RAW (NEF) • Exposure: [A] mode, 1/2,000 second, f/2.8 • White balance: Auto • Sensitivity: ISO 6400 • Picture Control: Standard

ISO

6400

Expand your

vision with the

FX-format sensor

Proprietary FX-format (36.0 x 23.9 mm) CMOS sensor

with 12.1 effective megapixels

Incredibly high signal-to-noise ratio, for wide dynamic

range

Remarkably noise-free images from ISO 200-6400,

with ISO 100-25600 on demand

A dramatically expanded range of shutter speed and

aperture options

Freedom to shoot in almost any lighting situation

©Joe McNally

Strikingly high image

quality at up to ISO 6400

Color and detail only begin

to explain the extraordinary

potential of Nikon's powerful

F X - f o r m a t s e n s o r. N o w

p h o t o g r a p h e r s h a v e a n

FX-format CMOS imaging sensor

extremely wide sensitivity

range to choose from. It's now

Nikon's proprietary FX-format (36.0 x

23.9 mm) CMOS imaging sensor with

possible to expect exceptionally

12.1 effective megapixels

natural tonal gradation in the

Discerning photographers always test the

low-sensitivity range, yet shoot

boundaries of their equipment, pushing it as

with confidence in conditions

far as they can to capture the most powerful

that demand high ISO settings.

images possible. For over 75 years since the

From now on, capturing bold

introduction of NIKKOR lenses, Nikon has

and remarkably noise-free images from ISO

dedicated itself to helping photographers

200 to 6400 will be the standard, and not

go the extra mile. Now, with the D3, Nikon

an exception to the rule. For professionals,

combines its new proprietary FX-format sensor

this dramatically changes how you shoot

with 12.1 effective megapixels for striking

indoor sports, night games at stadiums,

tonal gradation and detail. But we didn't stop

theaters, weddings, wildlife at dusk and

there. By enlarging the size of each pixel,

any other situation where light is limited

Nikon's new FX format captures light with

and Speedlights are not an option. This

unrivaled accuracy, which in turn contributes

new dimension of ISO sensitivity not only

to a significantly higher signal-to-noise ratio

delivers more winning shots, it also changes

and wider dynamic range. The rich initial data

how you take them. Imagine shooting sports

of each image is then swiftly and carefully

and action images at faster shutter speeds

routed through a 12-channel parallel readout

without worrying about excessive image-

for 14-bit A/D conversion that serves two

degrading noise. Simply put, the D3 redefines

professional demands – speed and precision.

how good high ISO digital images can look.

Adding to its versatility, the D3 also offers

And to further expand your potential, the D3

you three different formats – FX format, DX

can be extended on demand, from ISO 100 to

format and 5:4 – delivering all the options

ISO 25600. Consider the new possibilities.

to respond to a vast range of shooting

situations.

12-channel parallel readout

ISO 200

12-channel parallel data readout contributes to

the incredible speed seen in features like 9 fps

and Live View function.

High image quality at high ISO

• Lens: AF-S NIKKOR 24-70mm f/2.8G ED • Image quality: JPEG Fine • Exposure:

[A] mode, 1/30 second, f/2.8 • White balance: Auto • Sensitivity: ISO 6400

• Picture Control: Standard

©Joe McNally

Advanced noise reduction at high ISO

for natural-looking results

Unlike other image processing systems, the

D3's doesn't sacrifice spectacular saturation

for advanced noise reduction. Low-noise

performance is an integral part of the D3's

core engineering, meaning that your D3 has

been strategically designed to minimize

image noise, long before you've selected the

noise reduction function. And at ISO settings

of 2000 and above, when High ISO NR is

set to on, the noise reduction function is

automatically activated to carefully minimize

mottling, color bleeding and shadow noise.

The result is rich images with natural tones

and without the plastic, artificial look so

typical of conventional noise reduction

images.

ISO 400

ISO 800

ISO 1600

ISO 3200

Natural-looking images with an amazingly low degree of noise

even with high ISO.

©Joe McNally

ISO 6400