4ms Dual Looping Delay Panduan Pengguna - Halaman 3

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Getting started: basic patches

Input

Signal

Output

(left

channel)

Square Wave

VCO ~500Hz

Time knob and

switch set pitch

Feedback 50-100%

(sets Resonance)

Input Signal:

noise, triggers

(or anything)

happening. Then hold down the Infinite Hold button and turn the Time knob slowly. You should hear the pitch of the

resonance change smoothly (not stepping through quantized pitches). Now plug a 1V/octave keyboard or sequencer output

into the Time CV jack. Plug the velocity output (or an envelope output that's triggered by each step of the sequencer) into the

Feedback jack. Turn down the Feedback knob so that the velocity/pressure or the envelope make the DLD create individual

"notes". You can also patch into Delay Feed to get a different effect. Since there are two DLD channels, you can use it as a

duophonic melodic instrument!

Two channel delay: Mono input, stereo output

In this patch, both delay channels will be used (Channel A and Channel

B). First, patch a signal into the In A jack, and take the outputs from

Out A and Out B. The signal you feed into In A will automatically be

fed to In B (as long as you don't plug anything into the In B jack).

Set the knobs and switches as shown. Patch audio into the In A jack,

perhaps a sequenced melody or a drum pattern. Monitor the output on

Out A and Out B jacks. If possible, pan the two outputs in stereo. Or

you can have both outputs mix together into the Out A jack by

unplugging the Out B jack.

Output

(right channel)

If unpatched, right channel will

mix into Out A jack

One channel delay: Mono input, mono output

You might think to run a mono signal, you should patch in and out of

channel A. However, this will actually use Channel A and B in parallel

(which is great fun, but can be confusing if you're expecting only one

channel to be active). The reason is that Channel A's input and output

normalize to Channel B, this is will actually.

To use just one channel, use Channel B as shown on the left.

Input

Signal

Output

Resonant Delay (ala Karplus-Strong effect)

Resonant Delays are delays with short delay time (in the audio

range) and enough feedback to create a resonant sound

somewhat like that of a plucked string.

The DLD supports Resonant Delays. You can tap a very fast

tempo and flip the Time switch to 1/8, or (even better) feed a

square wave VCO into the Ping jack. The VCO should be in the

low or mid audio range, less than 2kHz (250-500Hz is ideal).

Feed a signal into the In jack: noise works well, so do triggers

(10V triggers will resonant more, 5V triggers are barely enough to

trigger the resonance). Use the Time switch and knob to set the

Pitch. Feedback sets the resonance (which determines the

amplitude of the pitch), and Delay Feed effects the level and

resonance as well. Make sure Infinite Hold is off.

Playing Resonance with a keyboard or sequencer

Holding down Infinite Hold and turning the Time knob changes

the DLD channel into Unquantized Time Mode (see section

below for discussion). This feature is great in combination with

Resonant Delays. First get a nice resonant delay sound