Yamaha S70 XS Manual - Halaman 4

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In MULTI mode:

The Tone Generator block can have a total of up

to 16 synth Parts, plus an A/D Input Part. The

DUAL INSERTION EFFECT can be activated on any

eight Parts from the internal XS (1-16) or the A/D

PART. Each Part will have an individual send to

the System effects. And finally, all signal goes

through the Master EFFECT, the Master EQ and

then on to the main stereo outputs.

We will mention this here because it is important

to understand that while both PERFORMANCES

and MULTIS deal with VOICES placed in PARTS,

the difference between a PERFORMANCE and a

MULTI is that a PERFORMANCE allows you to play

all four synth Voices simultaneously. You are

addressing them on a single MIDI communication

channel. A Multi gets its name because you are

placing the Voice in PARTS and each PART could

be on a different MIDI channel. You typically can

only transmit on one MIDI channel at a time, so

Multi mode is typically used with an external

sequencer or the internal playback sequencer.

You can see how a PERFORMANCE can be copied

to a MULTI – because all you would need to do is

address the four synth Voices on the same basic

MIDI channel to accomplish what you do in

PERFORMANCE mode. A Multi exists so that you

can place sounds on different MIDI channels, as

necessary to accomplish your goal. Conveniently

the PART SELECT buttons, [1]-[16] allow you to

transmit to a particular PART. So an alternate use

for MULTI mode is to place your favorite Voices in

the PARTS of a MULTI and then you can easily,

quickly and without sound interruption, select

between them.

For example, say on a gig, you need to play

strings on the introduction of the song and you

need to hold the last chord of the string intro,

switch to piano and begin the groove section with

a to fisted piano riff. Then later you need to switch

to a lead sound, then back to piano and finally to

strings again. You could place these sounds in a

MULTI and easily accomplish this by pressing the

PART SELECT button associated with where you

placed these Voices.

And with a little imagination you can see that this

can be used to call up complex splits and layers as

well

–

because

segregated to specific regions of the keyboard,

can be stacked on the same MIDI channel where

necessary. So your imagination is your limitation.

The reason you can switch between PARTS

without sonically interrupting the sound (i.e., the

strings sound in PART 1 can be held with your

fingers or with the sustain pedal while you switch

to the piano sound in PART 2) because you do not

have to change or interrupt the intimate routing of

the effect processing. It is because the XS effects

are so very powerful that you cannot switch from

VOICE

interruption of sound. If all you have is external

(System Effects) it would be simple – as the

routing would therefore be simple.

This use of the MULTI is very powerful for those of

you on stage who need several sounds within one

song and are trying to figure out how to

accomplish this goal. We discuss it here in the

article on Effects because it is very much related

to the Effect processing capabilities.

Since 8 of the PARTS can recall their dual

Insertion Effects from Voice mode, you can

customize your sounds as you require. A little bit

of planning and programming should not scare

you

off

–

you

programmable synthesizer and you are expected

to customize things to your liking. There are 128

MULTIS for you to program. The 32 MULTI

occupying locations 001-032 are provided so you

can learn from them. Please feel free to customize

them to your own use.

Background

The algorithms (a fancy word for 'recipe' or

specific arrangement) in the XS Effects are deep.

Please refer to the DATA LIST booklet to see the

PARTS

Multi

Voice

mode

purchased

extremely

can

without