DAPAudio LIVE 16 Manuale d'uso - Pagina 8

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Input-Channel-Section

1) MIC

Electronically balanced XLR-connector input socket. For connecting low signal

sources such as microphones or other low impedance devices. +48V Phantom Power

on each input MIC socket.

2) LINE

Balanced or unbalanced 1/4 (Ø 6.35mm) Stereo jack input socket. For connection

with high level sound sources, such as keyboards, electric guitars, electronic musical

instruments or audio playback units. Mono-connectors can also be used for automatic

signal unbalancing. When connecting a turntable, only use an external R.I.A.A. Pre-

amplifier.

3) INSERT

Stereo-Jack-connector (Ø 6,3 mm). For connecting the input and output of a remote

device such as a noise gate, compressor or equalizer in series with the channel. The

command is only available in mono channels. TIP = Signal input, Ring = MIC Signal

output

4) TRIM)

With this function you can adjust the input sensitivity (-∞ to +20 dB) of each channel in

order to get a constant level signal.

5) HIGH:

Controls the high range of signals (+15 dB). When the knob is centrally positioned

(zero point), sound tone remains unchanged. Turn the knob anti-clockwise to

gradually reduce high frequencies (vocals with less hiss, reduction of background

noise, cymbals less cutting, etc.). Turn the knob clockwise to boost high frequencies

(sound are highlighted, vocals are more intelligible, signal harmonics are

emphasized).

6) MID:

Controls the mid range of signals (+15 dB). When the knob is centrally positioned

(zero point), sound tone remains unchanged. Turn the knob anti-clockwise to

gradually reduce mid frequencies (reduction of mid part of sound, tones at extremes

of high and low ranges are emphasized, typical of dance music tones). Turn the knob

clockwise to boost mid frequencies (sound body is highlighted, greater overall sound

power and more nasal tone).

7) LOW:

Controls the low range of signals (+15 dB). When the knob is centrally positioned

(zero point), sound tone remains unchanged. Turn the knob anti-clockwise to

gradually reduce low frequencies (boom is neutralized, excessively low sounds are

removed). Turn the knob clockwise to boost low frequencies (more full-bodied sound,

highlighting of main signal frequencies, percussive sound more pronounced).