GameChanger plus pedal Manuale d'uso - Pagina 3
Sfoglia online o scarica il pdf Manuale d'uso per Pedale musicale GameChanger plus pedal. GameChanger plus pedal 8. Sustain unit for all melodic instruments
Stampa la pagina
FEATURES
4 external rotary control knobs - adjust the dynamic properties of
1
the WET signal generated by PLUS Pedal.
1 two-position slide switch, labeled "SINGLE and GROUP": Lets you go
2
between two distinct modes of playing
1 two-position slide switch labeled "SPLIT and MIX": Lets you isolate the WET
3
only signal in the PLUS Pedal's main output.
One ¼ inch Main Input
4
One ¼ inch Main Output
5
One ¼ inch Dry Only Output/Footswitch input.
6
One 9V DC (center negative) power supply input (5.5 x 2.1 mm)
7
Indication LED (two brightness stages)
8
Two ¼ inch jack inputs for Effects Loop (labeled Send an Return)
9
5
6
7
1
(see Section "Knobs And Controls")
(see Section "Single mode and Group mode")
4
8
3
2
9
5
KNOBS and CONTROLS:
BLEND:
Controls the volume of the WET Signal produced by the PLUS Pedal.
The medium "12 o'clock" position (indicated by a special indent in the
potentiometer's path) represents an even volume between the input signal and the
WET signal, but, this can vary with different instruments, or playing styles.
RISE:
Sets the fade-in speed of all new sustain layers, generated by the PLUS Pedal.
A minimum setting will let you bring in new tones instantly, whereas the maximum
setting will result in extended gradual swells. In our experience – the sweet-spot
for a smooth transition between your instrument and the generated tone is
somewhere between 9 and 12 o'clock, whereas longer settings are excellent for
creating soundscapes and cinematic ambiance.
TAIL:
Lets you adjust the amount of spillover signal after you release your foot from the
pedal.
When the TAIL knob is set to zero there will be no spillover signal – the sustained
tone will cut out instantly as you release your foot from the pedal. A 9 o'clock
setting will produce just enough spillover signal to create smooth transitions
between different chords. This is useful when you are stepping outside of diatonic
harmonies.
Setting the TAIL knob above 12 o'clock will result in long, gradual fade-outs, thus
giving you enough time to start building multiple layers of chords – sampling a new
chord while the previous one is still ringing.
When TAIL is set to Maximum (infinity sign) – Each layer of sustain will keep ringing
infinitely even after the pedal has been released. As before – you can add up to 5
new layers on top of each other to create very rich polyphony.
6