Panasonic AG-HPX250 Manuale - Pagina 4
Sfoglia online o scarica il pdf Manuale per Videocamera Panasonic AG-HPX250. Panasonic AG-HPX250 13. P2 handheld memory card camera recorder
The High-Quality DSP Matches Image Processing and Quality to match Each Shooting Situation
20 bit Digital Signal Processor
The AG-HPX250 incorporates a
high-performance 20 bit DSP that
handles image rendering processes
such as gamma and various detail
enhancement functions with
exceptional precision.
Dynamic Range Stretch (DRS)
In scenes with mixed contrast, such as when panning from indoors to
outdoors, the DRS function automatically suppresses blocked shadows
and blown highlights. A gamma curve and knee slope are estimated to
match the contrast of each pixel, and applied in real time. When dark,
bright, and intermediate shades are all contained in the same scene, this
produces excellent gradation for each shade and minimizes blocked
shadows and blown highlights.
* The DRS function does not operate in 1080/24p, 1080/25p or 1080/30p mode.
DRS OFF
7-Mode Gamma for Richer Gradation
Drawing on technologies developed for the VariCam, Panasonic has
equipped the AG-HPX250 with advanced gamma functions that address
seven different shooting scenarios, including two Cine-Like Gammas.
Rapid Response with Agile Shooting Assist Functions
Focus Assist Functions
Press the Focus Assist button and the center section of the screen
expands in size, making it easier to determine if the focus is correct.
Also, the Focus Bar that visually indicates the focus level can be
displayed on the screen.
Focus Assist OFF
Scene File / User File
Set Scene dial for an instant set of shooting conditions. Six preset files
are provided, and you can change any of the six file names and their
settings as desired. One set can be stored internally in the AG-HPX250,
and four sets on an SD Memory Card. One file with camera setting values
can also be stored internally, and four files on an SD Memory Card.
Scene File Description
F1: —
Standard settings
F2: FLUO.
Indoor shooting under fluorescent lights
F3: SPARK
Highlighting subjects at receptions, events etc.
F4: B-STR
Enhanced gradations of luminance in low light scenes
F5: CINE V
Cine-Like setting shifted to prioritize contrast*
F6: CINE D
Cine-Like setting shifted to prioritize dynamic range*
* Selecting a scene file does not change the video recording format. If you want to switch to 25p, 24p
and 30p, you must do so as a separate procedure.
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DSP Processor
AG-HPX250 Gamma Modes
HD NORM:
LOW:
SD NORM:
HIGH:
B.PRESS:
CINE-LIKE D:
CINE-LIKE V:
Other Camera Image Settings
• Variable shutter speed from 1/6 to 1/2000 sec. plus
Synchro Scan function.
• Matrix setting including a Cine-Like mode
• Adjustable H detail level, V detail level, detail coring and
skin tone detail.
• Adjustable chroma level, chroma phase, color temp and
DRS ON
master pedestal.
• Knee point settings: Auto, Low, Mid and High.
3-Position Gain Selector plus 30dB Super Gain Function
There is a 3-position gain selector, with L, M and H settings. To each
setting you can assign a gain value from 0, +3, +6, +9, +12, +15 and
+18 dB. There is also a Super Gain such as +24 dB and +30 dB.
Simplified Waveform and Vectorscope Display
The AG-HPX250 has Waveform and Vectorscope Display functions for the
captured video signal on the LCD monitor.
Focus Assist ON
Five User Buttons
There are a total of five User buttons: User Main, User 1 to 3 on the top
panel, and User 4 on the rear of the AG-HPX250. Based on user's
requirements, customized operation can be set by assigned 18 versatile
functions to these user buttons.
User button allotment function
SPOTLIGHT, BACKLIGHT, ATW, ATW LOCK, S.GAIN, D.ZOOM, Y GET, DRS,
TEXT MEMO, SLOT SEL, SHOT MARK, MAG A. LVL, LVL METER, PRE REC, WFM,
LAST CLIP, FBC, LCD B.L.
HD NORM mode
Suitable for standard HD recording.
Works to flatten out a high contrast scene.
Normal setting for SD.
Expands the tone of dark parts and makes a brighter image.
The contrast softens.
Makes the contrast sharper than LOW.
The Cine-Like mode shifted to prioritize dynamic range.
The Cine-Like mode shifted to prioritize contrast.
Waveform
CINE-LIKE D mode
Vectorscope