DigiTech Expression Factory EX-7 Specifiche - Pagina 2

Sfoglia online o scarica il pdf Specifiche per Pedale musicale DigiTech Expression Factory EX-7. DigiTech Expression Factory EX-7 2. X series

EXPRESS YOURSELF!
You could pay
expression pedals plus
a vintage Leslie
still not get the tone
and versatility
we've engineered
into the Expres-
sion Factory
treading a treadle
is part of your sound,
you've just found the
perfect tool.
Based on Dunlop® Cry Baby® *:
One of the most popular
iterations of the Wah pedal with
a slightly thicker tone than a Vox
reminiscent of late '60s and early 70's
Guitar Gods.
controls; Xpression pedal changes Wah effect.
Based on Vox® Clyde McCoy Wah™ * :
The 1966 original. Though it was designed for
the guitar, it was initially aimed at trumpet play-
ers, which is why horn player Clyde McCoy's name
graces the pedal today.
controls; Xpression pedal changes Wah effect.
Based on DigiTech® XP300 Space Station™ Synth Swell™:
The most popular tone from a very rare pedal, Synth
Swell packs an entire outer-space string orchestra into
your guitar, lets you create other-worldly effects and
flourishes via the expression pedal.
Balance, Swell Attack Time controls; Xpression pedal changes input level
(volume swell).
Based on DigiTech Whammy®:
The one and only, to use an expression. Smooth pitch
bends, rich detuning, deadly dive bombs and fast-
tracking harmony shifts, just like the original.
Whammy Shift, Tone, Wet/Dry controls; Xpression pedal changes pitch shift.
Based on Unicord Uni-Vibe™ * :
The chorus standard since the late 60's for adding lush
depth and dimension. True to the original, our model
also offers both vibrato and chorus.
Volume controls; Xpression pedal changes modulation speed.
Based on Leslie® * 147 rotary speaker:
Add the meticulously modeled sound of the Leslie
147 rotary speaker. This is as real as it gets without
lugging a 160-pound cabinet around with you.
Drive, Min Sweep, Volume controls; Xpression pedal changes rotary speed.
Based on the A/DA™ Flanger * :
The Holy Grail of all flangers with a
dramatic jet-engine fly-by sweep.
Rarer than a 7-string Strat
its optional foot controller is even
harder to find!
controls; Xpression pedal changes sweep.
18-0369
1000+ for separate
$
and
®
. If
,
®
Frequency Range, Q (Shape), Volume
Frequency Range, Q (Shape), Volume
Pitch Shift, Chorus/Pitch
Chorus/Vibrato, Intensity,
— and
Range, Speed, Enhance
phone 801.566.8800
6
EX-7 Expression Factory™
Seven classic expression pedal models
6
Seven classic distortion stompbox models
6
6
Includes 7 models from DF-7 Distortion Factory™
Distortion Model
based on Ibanez® TS-9*
based on DOD® 250
based on Boss® DS-1™*
based on Pro Co Rat™*
based on Boss® Metal Zone®*
based on DigiTech® Metal Master™ Based on VHT Amplification™* 4 x12
based on EH® Big Muff®
DigiTech, X-Series, CIT, Flexible Output Mode, DOD, Whammy, Space Station, Synth Swell, Johnson Amplification,
Metal Master, Expression Factory and Distortion Factory are trademarks of Harman International Industries, Inc.
*Other product names modeled in this product are trademarks of their respective companies that do not
endorse and are not associated or affiliated with DigiTech or Harman International Industries, Inc.
A/DA, Dunlop, Vox, Cry Baby, Clyde McCoy Wah, Unicord Uni-Vibe, Leslie, Pro Co Rat, Boss,
DS-1, Metal Zone, Ibanez ,EH, Big Muff, Fender, Deluxe Reverb, Bassman, Marshall and
www.digitech.com
x-series
Three expression effect controls plus three
distortion controls
Flexible Output Mode
— configure
6
outputs for amp, mixer or both
CIT
models classic speaker cabinets
6
Cast-metal treadle and chassis
6
Unique carbon-fiber look
6
Non-skid rubber base
6
Power supply included
6
Optional FS3X
6
3-button footswitch
(sold separately)
Cabinet Model
Based on Fender® 1965 Deluxe Reverb® 1 x12
Based on Marshall®* 1960B 4 x12
Based on Johnson Amplification™ 4 x12
Based on Fender® Bassman®* 2 x12
Based on Johnson Amplification™ 4 x12
p
Based on Marshall® * 4 x12 w/25- watt Celestion®
*
VHT Amplification are trademarks of other manufacturers and were used
merely to identify products whose sounds were reviewed
in the creation of this product.