Nikon D5000 Manuale - Pagina 24

Sfoglia online o scarica il pdf Manuale per Obiettivo della fotocamera Nikon D5000. Nikon D5000 32. Nikon digital slr camera product brochure
Anche per Nikon D5000: Opuscolo (9 pagine), Scheda informativa (2 pagine), Manuale di riparazione (20 pagine)

Stampa la pagina

SET YOUR ISO ON THE FLY

You can also change the ISO without taking your eye from the viewﬁ nder. Although there

is no dedicated ISO button on the D5000, you can still change this setting on the ﬂ y by

setting the Function button to handle ISO sensitivity. Simply use Custom Setting Menu F

to change the assignment of the Function button. Then, while you are looking through the

viewﬁ nder, just press and hold the Function button while turning the Command dial. You

will see the ISO value change in your viewﬁ nder display.

5. SET YOUR FOCUS POINT AND MODE

The Nikon focusing system is well known for its speed and accuracy. The automatic

focus modes will give you a ton of ﬂ exibility in your shooting. There is, however, one

small problem that is inherent with any focusing system. No matter how intelligent

it is, the camera is looking at all of the subjects in the scene and determining which

is closest to the camera. It then uses this information to determine where the proper

focus point should be. It has no way of knowing what your main emphasis is, so it

is using a "best guess" system. To eliminate this factor, you should set the camera

to single-point focusing so that you can ensure that you are focusing on the most

important feature in the scene.

The camera has eleven separate focus points to choose from. They are arranged in a

diamond pattern with ten points around the outside of the diamond and one in the

center. To start things off, you should select the focus point in the middle. Once you

have become more familiar with the focus system, you can experiment with the other

points, as well as the automatic point selection.

You should also change the focus mode to AF-S so that you can focus on your subject

and then recompose your shot while holding that point of focus.

C H A P T E R 1 : T H E D 5 0 0 0 T O P T E N L I S T