- ページ 3

ミュージックペダル Ampt Analoger ADG-1 SEのPDF ユーザーマニュアルをオンラインで閲覧またはダウンロードできます。Ampt Analoger ADG-1 SE 12 ページ。

Operation

The ADG-1 SE front panel controls are nearly identical to the ADG-1

standard version. The only differences are in the Delay section, the LFO

switch, and the additional Delay insert.

The TIME knob adjusts the delay

TIME:

time from 16ms (1 BBD) to ~1.06s (3

BBDs). If you change the delay time

while playing, you will also notice a pitch

change as the signal currently captured in

the BBDs is spit out faster or slower,

therefore compressing or expanding the

delay time. This is how analog delays

make that great pitch-up or dive-bomb

sound. Try playing with a short delay

with lots of feedback then quickly turning

the knob clock-wise for massive dive bombs.

Note: Longer delay times will change the high frequency roll off. In

addition, very short or long delay times will reduce the level. Therefore,

the tone or feedback levels may be different in 1 or 3 bucket mode or the

standard ADG-1 in 2 bucket mode, even if the delay time is the same.

BUCKET SWITCH: selects whether the sound you are hearing travels

through 1 or 3 BBDs (4096 or 12,288 stages) and so thirds or triples the

delay time (16-350ms vs 50ms – 1060ms). While there clearly is overlap in

the settings, as you can often get the same delay time from either setting,

the tone is slightly different in each so you may prefer one setting over the

other. In general, use the down position for long reverberant delays. Use

the up position for more sparkly shimmering delays, or when doing chorus

or flange-like sounds.

<3>