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1. Specifications

Instruction Manual

The terminals themselves are designed to allow the use of very heavy

speaker wire or connectors. Be sure to tighten them securely, but don't

over-tighten them.

WARNING: To prevent risk of electrical shock or damage to your

equipment, always switch off the amplifier or receiver when making

any system connections.

You can connect your speakers by using a variety of audio connectors such

as banana plugs (single or double), pin connectors, spade lugs, etc., or you

can:

1. Remove .5" of insulation from each wire end.

2. Twist the stranded wire together, keeping the two ends

separate.

3. Place the appropriate wire through the appropriate

postholes in the connectors. These holes are revealed when

you loosen the connector's capscrew.

4. Screw down the capscrew tightly, but be careful not to over

tighten it.

5. Check the tightness of the capscrews 24 hours after hookup

and occasionally after that, as they can loosen over time.

We recommend that you check your local electrical codes to make sure that

you are not using improper connectors.

It's important to observe polarity while making speaker connections: red

(+) terminals on the amplifier to red (+) on the speaker, black (–) on the

amplifier to black (–) on the speaker. Look carefully at the wires you are

using and note that one of the conductors of each pair will typically be

identified by color, printing on the outer jacket, ridges on the outer jacket,

or a thread intertwined with the wire strands. By convention, the marked

wire is connected to the red (+) terminal.

Whether your are connecting a complete system,or adding a single speaker

component to your present system, the wiring should look like one of the

system wiring diagrams on pages 7 and 8.

WARNING: Before turning on the amplifier, be certain that no stray

wire strands are touching across any terminals as this might damage

your amplifier.

Finally, check the polarity of your front speakers by listening to some ste-

reo music with good bass content. If the sound seems"hollow", unusually

spread out, or seem to have weak mid-bass, recheck your connections for

proper polarity and correct any out of phase connections,if necessary.

System Setup

Bass Management

Some older surround sound decoders and receivers offer a choice of "Nor-

mal"or"Wide-band"modes for the center channel speaker.The Model 8200

C is designed to be used in the Normal mode.Additionally,digital processing

multi-channel systems provide a Bass Management menu,which typically

requires you to select between "Small" or "Large" speakers during system

set-up. Since these systems have been designed to work with a dedicated

subwoofer,please set all the speakers in Systems 6200 and 8200 to Small.

Operation of the Rear Panel Controls

on the LCR Speakers

HF ENERGY

– REVERBERANT

+ DAMPED ROOM

0 THX / AVERAGE

faces. The Reverberant position is designed for rooms with an abundance

LOCATION

of reflective surfaces like hardwood or tile floors,glass walls,etc.It decreases

BEHIND SCREEN

HF ENERGY

the high frequency output of the speaker to reduce excess HF energy that

builds up in live rooms. The Damped position brings the tweeter's output

– REVERBERANT

THX / NORMAL

slightly above flat response to compensate for overly absorbent rooms with

+ DAMPED ROOM

lots of soft surfaces.Speakers in overly damped rooms can sound dead and

0 THX / AVERAGE

BOUNDARY

lifeless unless compensated.

COMPENSATION

LOCATION

THX / NORMAL

BEHIND SCREEN

HF ENERGY

– REVERBERANT

THX / NORMAL

+ DAMPED ROOM

0 THX / AVERAGE

BOUNDARY

are located behind a perforated video screen or curtains. Of course, if you

COMPENSATION

choose to place the speakers behind curtains it is important to choose a

LOCATION

material that is as acoustically transparent as possible. Looking through

BEHIND SCREEN

the material into the light can give you some indication of the material's

THX / NORMAL

transparency in this regard.The more light and detail you can see,the bet-

ter it will be acoustically.

THX / NORMAL

BOUNDARY

COMPENSATION

THX / NORMAL

To set these controls, sit in the prime listening position and have someone

switch between the compensation choices,using well recorded dialogue or

musical instrument recordings. Choose whichever switch position sounds

most natural and real to you.

NOTE: Although these controls have been designed to compen-

sate for various acoustic room anomalies, we recommend that you

try them to hear the difference that they make in the sound of the

system. For any number of reasons, you may decide that you prefer

them set in a particular manner inconsistent with your room's acous-

tics, but sounds best to you. Experiment. It will be worth it.

System Setup

This control

High Frequency Energy

changes the tilt or roll-off slope of the

tweeter. It has been designed to help com-

pensate for different room acoustics. The

THX/ Average position is intended for

rooms with a reasonable combination of

reflective (hard) and absorptive (soft) sur-

This control "shelves up" the

Location

upper midrange and high frequency

energy from the speaker in the position

marked Behind Screen. This is to com-

pensate for the reduction of these frequen-

cies when they are partially blocked by the

materials in front of them if the speakers

Use this switch

Boundary Compensation

to adjust the lower midrange output of the

speaker to compensate for the typical

sound colorations caused by placing the

speaker close to a TV screen or building it

into a wall unit or cabinet.

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