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録音機器 Brainworx A/DA FlangerのPDF プラグインマニュアルをオンラインで閲覧またはダウンロードできます。Brainworx A/DA Flanger 10 ページ。

Unison Technology

The A/DA Flanger plug-in was developed with the Apollo

series interfaces in mind and made compatible with Unison

preamp technology. Of course the A/DA Flanger will work

with any UAD-2 device, but to experience ultralow latency along with

important impedance, gain 'sweet spots', and circuit behaviors of the real

device, you need an Apollo interface. In order to do this, you should insert

the A/DA Flanger in the preamp insert position of Apollo's Console appli-

cation. This will greatly enhance your experience, making the tone and

behavior of your sound an exacting replication of the original hardware.

The A/DA Flanger is a second generation electronic flanger capable of

producing a broad range of sound colorations, dramatically enhancing

the effect of any amplified musical instrument, voice or percussive

instrument. The term „flanging" refers to the technique of manually

varying the speed of two tape recorders independently with the same

program material, while mixing down in recording studios. The A/DA

Flanger electronically simulates varying speed in real time, during the

performance. The capabilities of the A/DA Flanger are numerous and

astounding. Effects such as rotating speakers, chilling vibrato, „jet"

A/DA Flanger

Plug-in Manual

sounds, resonance modification, intensified studio flanging and incre-

dible filter matrices, to name a few, suggest that experimentation will

certainly find the sound you have been looking for. When two identical

signals separated by a short time delay are added together, reinforce-

ments (peaks) and cancellations (notches) occur in the output level. The

positions of the peaks and notches are mathematically related to the time

delay as can be seen in the graph opposite. The example shows the „comb

filter" that occurs at the output of the A/DA Flanger at 1 msec time delay.

If a 500 Hz signal is introduced into the Flanger at 1 msec delay, it will not

be heard at the output. However a 1000 Hz signal will be reinforced, thus

heard at the output. By changing the time delay, we move the position of

the peaks and notches up or down the audio frequency spectrum creating

flanging effects.