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Functions

Note: When connecting signal sources, please make sure the corresponding channel faders and the

master faders are at their minimum settings. Otherwise unpleasant plug-in noise can occur.

3/4/6. Equalizer section (hi/mid/low)

The microphone channel's equalizer section allows shaping of the incoming audio signal. All input

channels are fitted with 3-band EQ. The high (2) and low (1) shelving controls have their frequencies fixed

at 10 KHz and 100 Hz respectively. The mid (3) range control has a peaking response frequency at 1 KHz.

All 3 bands have up to 12dB cut and boost, with a centre detent. Turning an equalizer control to the right

amplifies the frequency range; turning to the left attenuates the signal. Minor changes to an equalizer

control usually produce the best results. Try to avoid excessive enhancement of the mid band.

5. Mic level control (Mic 1/2)

Controls the volume of the corresponding microphone channel.

10. Peak LED

The peak LED shows peak levels in a channel's incoming signal level. If the red peak LED frequently blinks

or constantly lights, the corresponding channel is likely to enter clipping and you have to reduce the

input's amplification using the gain (8) control. The peak LED lights at a level of 8 dB below clipping.

Make sure that the peak LED lights only briefly during dynamic peaks.

11. Input selection switch (channel 3/4)

With this you are able to assign two sets of line inputs to the according channel.

1. Mic gain control

The input sensitivityof the Mic (2) input is determined by the gain

control. With the gain control you are able to adjust the input-

sensitivity for an optimal match with the mixer's internal operation

level. The high gain of this mixer is ideal when dealing with very low

input levels.

2. Mic input combo connector

Electronically balanced combo-type input for connecting low

impedance microphones. The input has extremely low noise and low

hum. When connecting a microphone make sure that the pin

assignment is correct. Always make sure to read the manual of the

microphone you want to connect. The combo- input is not suitable

for connecting an additional mixing console, FX- unit, etc. You have

to use the line (17,20,37-40) inputs, when connecting this kind of

equipment.

7. PFL button

The PFL button (pre fade listening) is designed to route the

corresponding channel's input to the headphone section,

independent of the individual channel's volume fader setting. It is

possible to assign more than one channel simultaneous to the PFL

bus.

8. Channel gain control

Channel input level is determined by the gain control. With the gain

control you are able to adjust the line input-sensitivity for an optimal

match with the mixer's internal operation level. The high gain of this

mixer is ideal when dealing with very low input levels.

9. Input selection switch (channel 1/2)

With this you are able to assign the line inputs or the phono inputs to

the according channel.