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DJ機材 DAPAudio Powermix 1のPDF マニュアルをオンラインで閲覧またはダウンロードできます。DAPAudio Powermix 1 18 ページ。

1. MIC

Electronically balanced XLR-type inputs for connecting low-impedance microphones.

The input provides extremely low noise and low hum signal processing. When

connecting a microphone make sure that the pin assignment is correct. Always make

sure to read the manual of the microphone you want to connect. The XLR-inputs are

not suitable for connecting an additional mixing console, FX-unit, etc. You have to use

the LINE-inputs, when connecting this kind of equipment.

2. LINE

Electronically balanced inputs for the connecting a keyboard, CD player , mixer, etc.

You can connect balanced or unbalanced signal sources to the Line input. Do not

connect signal devices to a channel's MIC and LINE input at the same time, This will

cause mutual interference, which results in level reduction.

Note: When connecting signal sources, please make sure that the

corresponding channel faders and the master faders are at their minimum

settings. Otherwise unpleasant plug-in noise can occur.

3. GAIN

Mic Channel input level is determined by the Gain control.

With the Gain control you can adjust the MIC or LINE input-sensitivity, while optimally

matching the incoming signals to the mixer's internal operation level. When dealing

with very low input levels (example vocal recordings or distant sound sources) the

high gain is extremely profitable.

How to set the Input level:

1) Set the gain control and the corresponding channel fader to their minimum setting.

2) Connect the desired sound source (CD player, microphone, ect) to the

corresponding MIC or LINE input.

3) Play the sound source at its highest volume setting; respectively, sing or speak as

loud as possible directly into the microphone.

4) While doing so, adjust the input level using the gain control, so that during the

loudest passages the PEAK LED is just not lit, but the SIGNAL-LED lights

constantly.

This basic channel setting leaves you at least 8dB headroom. This means, you have

at least 8dB before signal clipping. If you want to make further adjustments to the

channel's EQ setting, you should repeat step 3 and 4 again.

4 / 5 / 6 Equalizer SECTION (HI / MID / LOW)

The mixer's Equalizer section allows shaping of the incoming audio signal. All mono

input channels are fitted with 3-band EQ. The upper (4) and lower (6) shelving

controls have their frequencies fixed at 12 Khz and 80 Hz respectively. The Mid range

control (5) has a peaking response frequency at 2.5 Khz. All 3 bands have up to 15

dB cut and boost, with a centre detent for "OFF". Turning the Equalizer level control to

the right amplifies the frequency range, turning to the left attenuates the signal. Minor

changes to the Equalizer control usually produce the best results. Try to avoid

excessive enhancement of the MID band.

7. AUX

The Aux control allows you to change the Aux Channel to the Aux Mix. The range is

from 0 – 10