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preamp or D.I.

Figure 2. 96i I/O studio setup with a mixing console

Connection Tips

Connect digital recorders such as CD and DAT

recorders using the S/PDIF RCA outputs on the

96i I/O.

Inputs 1–4 offer the greatest amount of sensi-

tivity adjustment, so use these inputs for low-

level signals from less powerful devices (such as

older keyboards, samplers, and sound modules).

Use inputs 5–16 for professional grade devices

with higher output levels.

Consider connecting the 96i I/O to a high-

quality patch bay for the greatest ﬂexibility. A

patch bay will let you quickly route signals to in-

puts 1–4 or 5–16 as needed; use inputs 1–4 when

you need the most control over input levels. Use

inputs 5–16 for all other input needs.

96i I/O Guide

INPUTS 1-4

SW CTRL GAIN

to 96i I/O inputs 1–16

Low-level sources

channel outputs

to inputs 1–4

Synths,

sound

modules,

and other

to mixer

inputs

INPUTS 5-16

OUTPUT

+4dBu/–12dBV

+4dBu/–10dBV

96i I/O Out 1–2

Main

Outs

Tape

returns

or inputs

Sends and Returns

Effects Devices

Conﬁguring the 96i I/O in

Pro Tools

Configuring the 96i I/O with Pro Tools includes

adjusting input and output gain, and selecting

(or deselecting) S/PDIF input.

The 96i I/O, when correctly connected, is auto-

matically recognized by Pro Tools when it

launches. 96i I/O settings are configured in the

Hardware Setup window.

To conﬁgure the 96i I/O in Pro Tools:

Choose Setups > Hardware.

Conﬁgure the Hardware Setup parameters for

the 96i I/O.

• For input gain, see "Adjusting 96i I/O In-

put and Output Levels" on page 13.

Monitoring

System

Monitor

Outs