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ページを印刷するSizing
the scene
-mixing long, medium and close-up shots
Continuous use of
long
shots or close-ups
wil
l
give your productions a monotonous
"flat"
impression. To avoid this, it
is important
to
consider
exactly
what it is that you
wish
to
"say
"
with
every
shot. Indeed,
it
is
possible
to
change
the impression that any subject
makes merely by changing the
way
it's
shot.
You don't have
to
change the subject to alter
the scene-you can achieve a different effect
by
changing
the size of
the
subject
itself
within
the
scene.
Framing people
Basic shots for properly framing people are
shown below.
Experience has shown that shots that frame
people differently than this do not have as
pleasant an effect.
Face shot
• Even
if you cut off the
hairline,
don
't
cut off the
chin.
Bust shot-Chest and
above
Knee shot-Knees and
above
lo!
I
30
• When shooting a pro-
file
,
leave the space in
front of the face to
create
a
"
sight line.
"
Waist shot-Upper
hips and above
Full shot
-
Entire body
Scene length
-not
too long, not too short
While there's
no
hard-and-fast rule
,
it
is
generally
advisable
to
make each
scene
6-
7
seconds
in
length
for
easier viewing.
A succession of short scenes
can
tire the
viewer,
while
long,
single scenes
can become
boring
.
Cutting according to the narration
Cut the scene when the narration is finished.
Cutting according to the subject
Make long shots longer
..
..
....
and
close-ups
shorter.
Because long shots have more to see in them
than close-ups, show them longer so the
viewer may understand what 's there.
Make interesting shots
and shots in which the
subject
is
constantly
moving
longer.
Make static shots
shorter
Shoot as if you were watching the playback.
That is, it's helpful to occasionally imagine
your commentary of the scene even as you're
shooting
it!