- ページ 4

アンプ Crown DIFFEROID CM-311AのPDF アプリケーション・マニュアルをオンラインで閲覧またはダウンロードできます。Crown DIFFEROID CM-311A 6 ページ。 Differoid head-worn condenser microphone
Crown DIFFEROID CM-311A にも：データシート (2 ページ), アプリケーション・マニュアル (14 ページ), 補足マニュアル (1 ページ), 概要マニュアル (1 ページ), 使用方法 (4 ページ), クイックマニュアル (2 ページ)

GLM-100: Mini omni condenser mic. Flat response

from 20 Hz-20 kHz, accurate sound, 148 dB maxi-

mum SPL! Clips onto acoustic guitar, flute, horns,

sax, drums, fiddle, etc.

Suggested starting positions for the GLM-100:

Acoustic guitar: Tape the mic to the guitar body

about ½ inch from the low E string, midway be-

tween the sound hole and bridge.

Flute: Tape the mic about 1.5" above the flute, be-

tween the lip plate and tone holes.

Trumpet, trombone: Use the GLM-UM universal

mount supplied with the GLM-100. Clip the mic

about 4" out front, off-center of the horn.

Drums: Use the GLM-UM universal mount supplied

with the GLM-100. Clip the mic to the drummer's

right side of the snare drum rim, about 4 inches

above the rim. Put another mic in the kick. With

small kits, this single GLM can pick up the whole

drum kit. Boost the lows and highs a little.

Fiddle or violin:

• 1" above an f-hole, held by a GLM-UM Universal

Mount clipped to the tailpiece .

• Under the strings, near the bridge, clipped ¼" over

the body .

• Glue some foam onto the mic capsule flex relief.

Insert the mic and the foam through the hole in the

bridge. The GLM mic "floats" between the strings

and the top of the violin.

• For loudest sound and best isolation, place the

GLM inside an f-hole, with the cable wedged into

the narrow part of the f-hole. For cable strain relief,

trap the cable under a rubber band stretched around

the fiddle. This method needs some EQ to sound

natural; try cutting at 100 Hz and 3 kHz.