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1. Recording on the Aw2816

Overdubbing

The overdubbing procedure is basically the same as

when you recorded the rhythm section and vocal.

Record each of the backing tracks while you listen to

the previously-recorded tracks.

We recommend that during the recording stage, you

record all the parts you think you will ever want for

the song. You can always delete unneeded parts dur-

ing the mixdown, and you can (for example) record

several different guitar solos and switch between them

to see which one you like best. The AW2816 has 128

virtual tracks, so if you record and keep several takes

of the vocal, you will have more ﬂexibility during

mixdown.

Switching virtual tracks

When you want to switch virtual tracks, press the

RECORDER section [TRACK] key, and then press [F2]

to access the V.Track screen. To try this out, go to the

virtual track area for track 1 (the top line), and press

[ENTER] on 2. The "2" will be highlighted. Now press

[F1] to return to the TR View screen. There is a column

labeled "V" at the right of the NAME column for each

track, and for track 1 this should indicate "2". This

shows the virtual track that is currently selected for

each track.

Tips – is it good or bad to record

with effects?

The AW2816 provides a very wide range of effects,

but you should be aware that if you apply an effect

during recording so that the processed sound is

recorded, it will be impossible to make any changes

in that effect afterward. In particular, applying equal-

izer (EQ) or spatial-type effects during recording may

limit your freedom during mixdown.

In some cases, a limiter is used while recording drums

or bass to keep the sound from distortion, but this

requires a certain amount of technique, so until you

have some experience, we recommend that you actu-

ally watch the meter, and use the gain control or vol-

ume fader to adjust the level so that distortion is

avoided.

To apply effects only to the sound

being monitored

When recording a vocal, the vocalist often ﬁnds it

easier to sing if a spatial-type effect such as reverb is

applied. In this case, it is useful to apply the effect by

using AUX SEND from the input, so that the unproc-

essed sound is recorded and the effect applied only to

the monitored sound.

Referring to the methods that we have discussed so

far, input the sound from the mic into input channel 1,

and use [QUICK REQ] to prepare to record on track 1.

Next, press [AUX 5] in the FADER MODE section. The

faders should all move down, and the Eff.Edit screen

should appear. Here, raise the input channel 1 fader,

and listen to the sound from the mic on the AW2816.

If a reverb-type effect is selected, reverberation should

be applied to the sound. At this point, the effect sound

is being output to the stereo out (which is the ﬁnal

output of the AW2816), but is not being recorded on

track 1. Actually record the input, and verify that the

effect is not applied to the recorded sound.

Tutorial