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楽器 Yamaha S90 ESのPDF ショートマニュアルをオンラインで閲覧またはダウンロードできます。Yamaha S90 ES 11 ページ。 Half damper function and damper resonance effect
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Above

you

see

typical

PRE4:064 [Ld:Bright Saw]. A two Element Voice

that has the Mod Wheel as the ELFO-PM depth

control

–

this

translates

Frequency Oscillator- Pitch Modulation control.

Depth = +27. As you move the wheel up you will

add vibrato (pitch modulation) to the Voice

AS 1 – ASSIGN 1 does not have a fixed MIDI

message (while all decent MIDI keyboards have

Modulation Wheels and Pitch Bend wheels, they

do not necessarily have an assignable controller).

It can be assigned as an internal control device.

You can use Assign 1 to change Element level,

filter cutoff/resonance, effect send, etc., etc. (see

Control Set Destination list). It can be assigned to

any of 68 locations. It can independently be

assigned any control change message, (cc1-

cc95), for transmitting out via MIDI. The default

assignment is cc #016 called: "General Purpose

control 1". If you reassign the default control

change assignment (a global setting found in

UTILITY) to cc #001 Modulation, for example, you

will in effect have a modulation wheel on a Slider.

However, leave it set at cc016 as this is as good

as any for its purpose.

AS 2 – ASSIGN 2 does not have a fixed message.

It can be assigned as an internal control device.

You can use it to change Element level, filter,

effects, etc., etc. (see Control Set Destination

list). It can independently be assigned any

control change message for transmitting out via

MIDI.

The

default

assignment

"General Purpose control 2". If you reassign the

default

assignment

(global

UTILITY) to cc #002, for example, you will in

effect have a breath control on a Slider.

AFTERTOUCH (fixed) – will always be sent when

extra pressure is applied to the key. How this

controller data is interpreted, if at all, is a function

the

voice

parameters

generator/receiving device. Some players use

synth

lead

Voice

Element

Low

#017:

setting

found

the

tone

aftertouch to vary PMD (pitch modulation depth),

vibrato. Others like it to brighten the sound and

assign it to filter cutoff, still others assign it to

control an effect, like the rotating speaker speed.

Try

substituting

OR:16+8+5&1/3 Voice... as long as you apply

pressure to the keys, the speed of the rotary

speaker will be fast. Aftertouch cannot be turned

off, per se. It is always sent when pressure is

applied to the keyboard. Whether or not anything

happens

when

this

determined completely in the receiving device.

FOOT CONTROL 1 (FC1) – An FC7 pedal

plugged into the Foot Control 1 jack is available as

an assignable controller. You select what it will

send globally for the S90 ES from VOICE mode

UTILITY:

•

Press [UTILITY]

•

Press [F3] VOICE

•

Press [SF3] CTL ASN.

The default is cc011 (expression) which is similar

but not the same as control 007 (Main volume).

Many people mistake these two as being the same

thing. While they both control 'how loud', they

have different functions. For example, in a Song

you plan to play a B3 Voice on top of a sequenced

rhythm section. You set the organ Part's mix

volume to a level of 96. (Because 96 is the perfect

setting for as "loud" as you will ever need to be

compared to the rhythm section). You are setting

how loud the organ sound will play on a scale

from 0-127 - relative to the other sounds. If your

FC1 pedal is set to control 011 (expression) – toe

down will never exceed the '96' Main volume

setting of the Part. If, on the other hand, you

have the FC1 assigned to cc007 (Main volume)

the volume will be set by the absolute position of

the pedal – toe down will reset the volume to 127

– and you will be too loud. Expression (cc11) is

relative volume within the maximum set by the

individual parts Level. Volume (cc07) is absolute

volume for the current MIDI channel.

FOOT CONTROL 2 – defaults to sending control

change message 004, but can be reassigned to

any control change number 1-95 (global setting

found in UTILITY). How this data is interpreted by

the

tone

generator/receiving

programmable. For example, it is possible to use

the foot control for filter cutoff (wah-wah) on an

internal sound and have an external sound set to

interpret cc #004 as something entirely different.

FOOT SWITCH – Use an optional Yamaha FC4 or

FC5 (momentary switch). It can be assigned any

cc number between 1-101. It will always send a

control change value of 127 when activated;

for

pressure

applied

device;

the