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UTIUTY
This
is
where you
save
and
load data
to
external devices,
and
perform
various other
useful functions.
These
settings
are
not
part
of
a
Performance
Memory.
They
are
set
for the entire
DXll.
To
enter
Utility
mode,
press the
UTILHY
switch.
Then
press switches
17-32
to
access the functions printed
under
the switches.
[17]
Master Tune
This
is
the
master
tune
for the entire
DXl
K
adjustable
64
+63.
Use
it
to
tune
the
DXll
to
other
instru-
ments.
The
tuning range
is
one semitone
(100
cents)
below and above
standard
pitch
(A3=440Hz).
[18]
MIDI
Channel
Information
(1|
MIDI
on/off
When
this
is
Off, the
DXll
will
neither transmit
nor
receive
from
the rear
panel
MIDI
terminals.
When
it
is
On,
continue
pressing
18 to cycle
through
the
following
MIDI
settings.
(2)
Basic Receive Channel
This
is
the
MIDI
channel
(I
16 or
omni) on which
the
DXll
will
be controlled
when
in
Single
Play
mode.
(In
Performance
mode,
each instrument has
its
own
receive
channel number.)
When
this
is
set
to
"omni",
all
channels
will
be
received.
Incoming
exclusive
data
(see
pT9)
on
this
channel
will
be
received.
(3)
Transmit Channel
This
is
the
MIDI
channel (1-16)
on which
the
keyboard
will
transmit.
To
play
an instrument
in
Performance
mode,
this
Transmit Channel must match
the receive
channel of
the
instrument.
This
is
also the
Transmit Channel
for
exclusive
data
(see
p. 19).
(4)
MIDI
Local
When
Local
is
OtT, the
DXll
keyboard
will
contmue
to
send
MIDI
signals,
but
will
be disconnected
from
the
internal
tone generators.
For
example,
a
sequencer
connected
to
DXll
MIDI
IN
could
play
the
DXl
1
tone
generators while
the
DXl
1
keyboard
played another
tone
generator
connected
to
DXl
1
MIDI OUT.
(5)
Control
Change
(6}
Aftertouch
(7)
Pitch
Bend
Reception of
these three
incoming
MIDI
messages can
be
set
as follows.
In
Performance mode,
these
settings
will
affect
transmission
as
well.
Off:
Control
Change
messages
(MIDI
messages
Bn.xx.yy)
will
be
ignored.
This
includes
mes-
sages such as
Modulation Wheel.
Breath
Con-
troller, etc.
Sustain pedal on/off
will
always
be
received.
Norm:
Control
change message
are received
normally
by each channel.
Gl-16:
You
can
specify
a
"Global
MIDI
Channel"
for
control
change
messages.
In
PERFORMANCE
mode
when
a
control
change
arrives
on
this
channel,
it
will
affect
all
instruments
regardless
of
their
channel
setting. I"or
example,
if
a
MIDI
guitar
transmitted
Note
On
messages
with
a
different
channel
for
each
strmg,
a
Modulation
Wheel on
the guitar
could
control
all
channels
simultaneously.
(8)
Note
This determines
how
incoming
MIDI
notes are
received.
All:
All
notes are received
(the
normal mode).
Even:
Even
notes are
received.
Odd:
Odd
notes
are received.
By
using
two
DXl
Is
together
(or
connecting
a
TX81Z)^
and
setting
one
to
Even and
the
other
to
Odd, you
can
effectively raise the
simultaneous-note
capacity
to
16
notes.
(9)
Data
Entry
Assign
You may
specify a
MIDI
Control message
(0
3!)
to
be
sent
when
you
move
the front
panel
Data
Entry
slider
while
in
Play
mode.
The
usual definition
of each
is
displayed
along with
the
number
(1.
Mod
Wheel,
2.
Breath Controller,
etc.).
[19]
Program Change
These
settings
determine
what incoming
MIDI
Program
Change
messages
will
do.
(1)
Program Change
This determines
how
the
DXll
will
react to
incoming
Program Change
messages.
Off:
Ignore
program change
messages. This
also
turns off
Program Change
transmission.
•
Common:
Look
up
the
corresponding Voice
Number
or
Performance
Number
in
the
Program
Change
Table
(see
below).
individual:
Each
instrument
receives
program
changes
separately
and
looks
up
its
Voice
Number
from
the
table.
If
the table entry
is
a
Per-
formance
Number,
it
is
ignored.
(2)
Progiam Change
Table
Initialize
When
you
press
YES,
the
Program Change
Table
(see
below)
will
be
initialized
as follows.
Incoming Program
Change
willsel^t
PGM1
PGM
2
PGM
32
PGM
33
PGM
128
101
102
132
A01
C32
18