- ページ 10

音楽ミキサー Alto GHIBLI 16のPDF オーナーズマニュアルをオンラインで閲覧またはダウンロードできます。Alto GHIBLI 16 19 ページ。 16-channel, multi-effect mixing console with surround output
Alto GHIBLI 16 にも: ユーザーマニュアル (19 ページ)

Alto GHIBLI 16 オーナーズマニュアル
EQUALIZATION
Y ou have three EQ control for each mono and stereo input channel each providing
+/-15 dB of boost and cut. The signal will be unaffected when the controls on center
position. Y ou may use an external equalizer to make up a mix properly, but a master
equalizer will not have effect on a single channel and you may overload the signal easily.
Individual EQ will give you a much better control on single tracks.
12 -HI
If you turn this control up, you will boost all the frequencies above 12 kHz (shelving
filter). Y ou will add transparency to vocals and guitar and also make cymbals crispier .
Turn the control down to cut all frequencies above 12 kHz. In such way, you can
reduce sibilances of human voice or reduce the hiss of a Tape player .
13 -MID
This is a peaking filter and it will boost/cut frequencies from 600 to 5000 Hz
depending on the position of the MID freq control. This control will affect especially
upper male and lower female vocal ranges and also the harmonics of most musical
instruments.
14 --LOW
If you turn this control up, you will boost all frequencies below 80 Hz. Y ou will give
more punch to bass drums and bass guitar; and you will make the male vocalist
more "macho". Turn it down and you will cut all the frequencies below 80 Hz. In this
way, you can avoid low-frequency vibrations and resonance thus preserving the life
of your woofers.
15 AUX sends
These two controls are used to adjust the level of signal sent to AUX 1&2 outputs
(if nothing is connected to AUX2 OUT socket, the signal will be sent to the resident
digital multi-effect ), and such adjustment doesn' t affect the main mix output signal
at all. AUX1 is configured pre-fader . It means that the signal is sent to the AUX1
OUT socket before the channel LEVEL control. This Bus is used to feed stage
monitors.
16 PAN
This is the PANORAMA control, or balance control. Y ou can adjust the stereo image
of the signal via this control. Keep this control in center position and your signal will
be positioned in the middle of stage. Turn this control fully counter-clockwise and the
signal will be present only on the left speaker and vice-versa. Of course a large
number of intermediate positions are available.
8
4. CONTROL ELEMENTS