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THANK YOU

Thank you for purchasing your Ashdown Engineering pedal and welcome

to the family! We really think you've made the right choice and know that

this pedal will give you years of great tone and service.

It is a machine though and needs to be looked after, please read

through this user manual which will help you get the most out of

your new pedal and keep it running as long as some of our

happiest and very famous customers.

REGISTER ONLINE

Please register this product online so we can make sure we give you years

of customer support through our friendly in-house service centre.

Here is where you need to visit to register your product:

http://www.ashdownmusic.com/pages/register-your-product

ASHDOWN ENGINEERING - TRIPLE SHOT

INTRODUCTION

Bass guitar distortion is an effect that is often

compromised due to lack of control and the Ashdown

Triple Shot pedal is a step in the right direction to

ending this compromise. In essence the Triple Shot is

three individual distortion pedals in one case.

The signal from the instrument is split into 3 distinct

frequency bands and fed into 3 distortion generators.

Each band has its own level control before being

recombined to create a full signal. It is therefore

possible to distort only the mid and top bands

keeping the bass clean and tight or to distort only the

mid band for example.

The Triple Shot contains three individual distortion

pedals in one box the Dark (bass) section works from

160Hz down, the Medium (mids) section works from

160Hz to 760Hz and the Light (treble) section from

760Hz upwards.

Distortion can be individually applied to any or all

sections in any amount set by the individual Roast

(gain) controls.

The resultant signals are then recombined by a mixer

section with output level control for each band.

USER GUIDE

In use, the pedal should initially be set with all the

gain controls at zero and the level controls set

equally so that there is no change in volume when

the pedal is switched in/out.

From this initial setting using the output level

controls you can adjust the overall tone of the pedal

being able to cut or boost any of the bands thereby

using the pedal as a shape pedal with no distortion.

Distortion may be added to any or all of the bands,

as distortion is added the respective level control

should be reduced pro rata to maintain the output

level.

Once the final distored sound has been set the

output level should be compared to the bypass

level and adjusted so that there is no jump in

volume when the pedal is switched in via the

momentary footswitch.