Drawmer 1972 빠른 시작 매뉴얼 - 페이지 2
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Drawmer 1972에 대해서도 마찬가지입니다: 운영자 매뉴얼 (10 페이지)
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Features
The 1972 Dual Mic, Line & Instrument Pre-Amplifier has been
developed to make it ultra easy for you to capture perfect
recordings every time. The 1972 gives you the ability to record
pristine audio from a variety of sources and especially makes
the most of the multitude of microphones that you find in the
studio, from budget to high-end dynamic and also ribbon mics.
The 1972 uses the latest THAT Corporation technology in the
two independent mic preamps to provide ultra clean,
transparent and precise recordings, with each channel
capable of 66dB of stepped gain, with an additional +/-12dB's
trim at the output, and incorporates switchable mic impedance
for accurate mic matching to bring out the best from any
microphone used, and also provides a way to "sculpt" the sound
of passive dynamic, and especially low-impedance ribbon
microphones.
As well as standard features that you will find on most
preamplifiers, such as phase reverse, the 1972 also has a
wealth of tools that help when recording difficult sources,
making it possible to get the best quality recording with ease:
Fully variable LoCut and HiCut controls have been included to
allow you to tune into recordings and remove superfluous
signals in the low and high frequencies, removing rumble and
hiss with ease.
In addition the Shape feature allows you to bring out the bass or
treble using a subtle tilt EQ.
A unique feature that has been developed by Ivor Drawmer and
currently only available on the 1972 is the Lift control. Lift is
essentially a low level dynamic gain module which has no effect
on signals above 0dB. This makes it possible to record very
quiet signals in a transparent and natural way without
distortion and clipping taking place on the louder passages, and
is especially effective for very dynamic signals, finding great use
in recording piano, and on all vocals including speech, and for
capturing ambiance.
Connector Wiring
XLR INPUT
XLR OUTPUT
2
1
(FEMALE)
(MALE)
3
IF GROUND HUM LOOPS
IF GROUND HUM LOOPS
OCCUR DISCONNECT
OCCUR DISCONNECT
GROUND HERE ON ONE
GROUND HERE ON ONE
END OF CABLE
END OF CABLE
(COLD)
(COLD)
+ (HOT)
+ (HOT)
SCREEN
SCREEN
BALANCED MONO JACK
INSTRUMENT JACK
IF GROUND HUM LOOPS
OCCUR DISCONNECT
GROUND HERE ON ONE
END OF CABLE
(COLD)
+ (HOT)
+ (HOT)
SCREEN
SCREEN
The 1972 will be supplied with a power cable and an integral fuse suitable for
domestic power outlets in your country. If the fuse blows or the unit is to be used
with a different mains operating voltage see the User Manual for instructions.
Controls
The two channels of the 1972 are completely
identical to each other, from the matching
connectors on the rear to the identical front panel
controls. They are also entirely independent of
each other and cannot be linked.
SELECT
Instr./Line/Mic 2.4k,600 & 200 Ohm/Mic +48V
The source select is a six position rotary switch that,
as well as setting the input source, also sets the
load impedance of the microphone.
When in the INST. position the channel takes its
source from the instrument jack found on the front
panel, to the right of the switch.
In the LINE position the signal comes via the
dedicated input XLR on the rear panel. Note that
the Line input has an automatic level pad of 24dB.
The remaining four positions all take their source
from the dedicated microphone input on the rear
panel. The first three positions set the load
impedance of 200, 600 and 2.4k Ohms in order to
aid the matching for a dynamic microphone.
In the +48V Phantom Power switch position the
red LED will illuminate to indicate that 48V of d.c.
voltage is being sent down the XLR cable to power
the electronics of a condenser microphone.
NOTE: DO NOT ACTIVATE THE +48V SETTING
UNLESS THE MICROPHONE REQUIRES IT.
INSTRUMENT INPUT
A 1/4" jack provides an instrument input stage
suitable for use with active and passive guitars as
well as with electronic keyboards.
1
2
Off - On
PHASE REVERSE
3
Reverses the signal polarity, and is often useful
when recording an instrument with more than one
microphone, which would cancel each other out
partially, resulting in a very thin sound. Reversing
the phase of one channel would rectify this.
0 - +66dB
INPUT GAIN
A twelve position switch adds gain in 6dB steps
from 0dB to +66dB, giving total control and easy
repetition. Set the level for any given source to
0dBs to provide the best volume, a LED Meter
above, with settings of -20, -10, 0 & +10dBs
displays this input level. This can be fine tuned later
by the O/P Trim.
Channel 1
Off - On
A variable high and low pass filter can be switched
in and out of the signal path via this switch. The two
filters combine to help remove any extraneous
noise and tune in to the required signal.
LoCUT
15 - 350Hz
The variable high-pass filter (aka Low Cut) is used to
attenuate low frequency signals that might
otherwise prove troublesome, eg. traffic rumble or
stage vibration, and let the higher frequencies pass.
1.5 - 20kHz
HiCUT
The variable low-pass filter (aka High Cut) is used to
attenuate high frequency signals that might not be
required eg. sibilance and hiss, and let the lower
frequencies pass.
LIFT
LIFT is a single switch solution to recording low
signal levels. It has no effect on signal levels above
0dB but increases gain dynamically on lower levels
allowing you to capture audio that would not
normally be recorded, or would require more
sensitive microphones. (see rear).
SHAPE
The Shape feature is a fixed tilt equaliser whereby
the signal increases and decreases by the same
amount around a fixed frequency (500Hz),
allowing for subtle Cut/Boost to shape the audio.
dB
T h e b a s s
4
f r e q u e n c i e s a r e
3
2
boosted and the high
1
0
frequencies cut by
-1
-2
2 . 5 d B ( a t t h e
-3
extremes).
-4
40Hz
500Hz
Channel 2
dB
T h e b a s s
4
frequencies are cut
3
2
a n d
t h e
h i g h
1
0
frequencies boosted.
-1
-2
-3
-4
40Hz
500Hz
However, note that when both switches are active
they interact with each other and provide a classic
"smiley face"
EQ
dB
4
curve that will boost
3
2
the low and high
1
f r e q u e n c i e s b y
0
-1
a p p r o x i m a t e l y
-2
-3
1.5dBs, with a slight
-4
cut in the mids of 1dB.
40Hz
500Hz
-12dB - +12dB
OUTPUT TRIM
Because the Input Gain switches the volume in
6dB steps the Output Trim, being a continuous
control, is used to finely adjust the output to the
absolute desired level. With this combination a
maximum of 72dBs of gain is achievable
VU METER
A backlit moving coil VU meter displays the level of
the output signal as found at the output XLR.
VU - +10dB
+10dB Pad
Adjusts the meter to show either normal output
level, (and for those working at 'hot' output levels)
VU +10dB i.e. with the switch at VU +10dB, when
the VU meter reads 0dB the actual level is +10dB.
10kHz
10kHz
10kHz