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Both jacks output signals from -10V to +10V and are DC-coupled.

Clock Out and Loop Clk Out Jacks

The Clock Out jack outputs the stable master clock. It sends a clock that's in sync

with the base clock ("beat" clock or Ping clock), whether you tapped in a tempo or

are using an external clock.

The Loop Clk Out jack outputs a clock that's in sync with the the loop/delay time.

All the clock outputs are quantized to the sample-rate. This insures they are jitter-

free (assuming your external clock has low jitter). The Looping Delay clocks are

some of the lowest jitter clocks available using Eurorack modules and should be

used whenever possible as a master clock.

The high voltage of the clock outputs is 8V. At fast clock speeds (audio rate), the

jacks output square waves.

In Inf. Hold mode, the clock goes high when the loop starts. This can be used to

trigger an envelope that VCA's the loop, for example.

Infinite Hold vs. 100% Feedback

Since setting Feedback to 100% (or close to 100%) and Delay Feed to 0% creates an infinite loop, the

Looping Delay acts similarly to how it does when Inf. Hold is on. However, there are a few important

differences:

When Inf. Hold is on, you can adjust the Time parameter from one setting to another, and then back to

the original setting and it will sound exactly the same as it did to begin with. This is not the case with

Inf. Hold off and Feedback at 100%; changing Time to a faster setting will actually record the new

shorter echoes into memory. Then when you turn back to the original slower Time setting, the Looping

Delay will be reading the shorter echoes and will repeat these in a longer echo. Therefore, even though

the Time setting is the same as it was originally, it will sound different.

Another difference is that when Inf. Hold is on, the Feedback knob has a special function: windowing.

Hold down Inf. Hold while turning Feedback to change the start and stop points of the loop (see

Windowing section on page 9). There is no windowing with Feedback at 100% and Delay Feed at 0%.

The final difference is that with Feedback at 100% and Delay Feed at 0%, there is the ability to fade in

new sounds (layers) by fading up the Delay Feed knob, or by applying CV (perhaps an envelope) to

the Delay Feed CV jack. Or you can create blank spaces by turning Feedback down momentarily. The

loop is more dynamic and mutable, versus when Inf. Hold is on, the loop is static and immutable.

Why do I hear something I played a long time ago?

Notes on the nature of Looping Delays...

When Inf. Hold is off, the wet signal (i.e. whatever's being output from the Send jack) is continuously

recorded into memory, going back for about one and a half minutes. This means that the results of

every knob you twist and every bit of CV you input is being recorded into memory. Let's say you're

playing a melody into the Looping Delay with a nice rhythmic echo. If, for example, you change the

Time parameter to make triplets for a moment, then switch back to eighth notes, then maybe bring

Feedback up to make a "bloom", then pull down Delay Feed to cut the audio out, etc... all of this will

be recorded into memory.

Normally you won't have to think about this: the Looping Delay operates "as you think it should",

overwriting whatever it recorded 87 seconds ago with what you're playing now. But in some special

circumstances, you can access this old memory: Windowing large chunks in Infinite Hold Mode is the

primary method whereby you might hear some sounds that were recorded onto the "tape loop" several

minutes ago. Another way often happens when Infinite Hold and Reverse are toggled many times

while Time is being modulated. This can be surprising! But it also can be very useful.

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