4ms Company Spectral Multiband Resonator 사용자 설명서 - 페이지 16

{카테고리_이름} 4ms Company Spectral Multiband Resonator에 대한 사용자 설명서을 온라인으로 검색하거나 PDF를 다운로드하세요. 4ms Company Spectral Multiband Resonator 16 페이지. Eurorack module

페이지 인쇄

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Channel Freq Nudge setting

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Color Scheme selection

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Filter type

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Additionally, the following global settings are saved whenever a setting slot is saved:

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Default Settings Slot (which Slot the SMR starts up in)

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Custom scales

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Color schemes

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Slider LED mode

The six Settings Slots are represented by the six Lock buttons. When you enter System Mode, the Lock buttons will flash in a

way to tell you their status:

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Dimly flashing: Settings Slot is empty

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Brightly flashing: Settings Slot is full

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Lit solidly (not flashing): Settings Slot is currently selected

Recall Settings

To recall settings from a Slot, enter System Mode and then tap one of the brightly flashing Lock buttons. The settings from

that Slot will be loaded and you will instantly exit System Mode.

Saving Settings

To save the current settings into a Slot, enter System Mode and then hold down one of the Lock buttons for three seconds.

The SMR will beep for a fraction of a second. The next time you power the SMR on, it will boot into the last saved Slot.

Recalling a slot and then saving it is the way to set a default startup slot without changing any settings.

Table of Scales and Banks

See Scales and Banks section, and ROTATE (SCALE) knob section (page 10) for details on how to change scales and

banks. The order of the banks is this table is left to right, then top to bottom.

1. Western scale (white)

Just intonation. Each scale contains

a root note and one interval,

repeated over 10 octaves. Each

scale uses a different interval (m2 to

M7) and spans 27.5Hz to 15kHz

5. Gamma scale, selected

notes (orange)

Each scale contains intervals

selected from Wendy Carlos's non-

octave repeating Gamma scale,

spanning roughly 20Hz to 20kHz.

9. Diatonic 2/2 (rose)

Continuation of previous bank,

starting at D#, E, F, F#, G, G#

13. Graphic EQ (blue)

These are common frequencies in

Eqs. The first scale is 20Hz, 40, 60,

80, 100, 150, 250, 350, 500, 630,

800, 1k, 1.3k, 1.6k, 2k,

2.6k,3.5k,5k,8k,10k. Each scale is

the same as the previous scale,

shifted up about 3%

2. Indian pentatonic (green)

Scales 1-8 have five notes per

octave, spanning four octaves. Each

is one octave above the previous.

Scales 9-11 contain selected notes.

6. 17-note per octave (yellow)

The first scale starts at 13.75Hz and

each note is equally tempered to a

17-note octave. Each scale is one

octave above the previous.

10. Western dual-interval (light

green).

Each scale starts on G1

(49Hz), followed by two intervals.

The triad is repeated across seven

octaves, an octave higher each time.

The pair of intervals varies per scale:

M2/P5, M3/flat5, m3/M5, M4/P5,

m3/#5, P4/P5, M3/M6, m3/flat6,

M3/#5, m3/m7, P5/M7

14. Gamelan (azure)

Scales 1 and 2 are the Gamelan

Pelog (5-note) scale repeated over 4

octaves. Scales 3, 4, and 5 are

Slendro (7-note) scales spanning 3

octaves each. Scales 6-11 are a

selection of five notes from the

Slendro scale.

3. Alpha scale, selected notes

(lavender).

Each scale contains

intervals from Wendy Carlos's micro-

tonal scale, spanning roughly from

20Hz to 20kHz

7. Chromatic (purple)

The first scale starts at E2 (82.4Hz)

and each note is one semi-tone

above the previous. Each scale

spans an octave and a half and is

six semi-tones above the previous.

11. Mesopotamian (Red)

Various ancient scales from

Mesopotamia. Scales 1, 3, 5, 7, 9,

and 11 have six notes starting on A2

(55Hz), and then repeats over 3

octaves. The remaining scales are

copies of the previous scale, but

three octaves higher.

15. Bohlen-Pierce (Lime)

Instead of octaves, the BP scale is

based on the tritave (triple the root

frequency), with thirteen notes per

tritave. Each scale starts on C1 and

contains four selected notes per

tritave, spanning five tritaves

4. Alpha scale, selected notes

(cyan).

More variations. All intervals

are multiples of 78.0 cents (perfect

fifth split into nine equal parts), so

there are no octaves, yet rich

harmonies.

8. Diatonic 1/2 (magenta)

Each scale is a diatonic scale

spanning almost three octaves. The

first two scales start on A, the next

two start on A#, then B, C, C#, D. In

each pair, the second scale is two

octaves above the first.

12. Shrutis, Indian scales

(Yellow-green).

Uses 20 notes

from a 22-note octave, so each

scale spans one octave and is one

octave higher than the previous

scale.

16. Custom scales (gray/pearl)

These are user-programmable

scales. See section above for how to

write and save your own scales. By

default, they are chromatic scales