DigiDesign FWx FireWire Record/Playback Option Card 매뉴얼 - 페이지 17
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페이지 인쇄D-Show Signal Routing for FWx
Playback
You can route channels from Pro Tools to D-Show Input
Channels and FX Returns to include pre-recorded tracks in
your mix. You can use this feature to perform Virtual Sound-
checks, use prerecorded click tracks or other material in a per-
formance, or mix down the Pro Tools session using D-Show.
Use the Patchbay>Inputs page to route FWx channels 1-18 to
any available D-Show Input Channels or FX Returns.
To route FWx channels to Input Channels and FX Returns:
In the D-Show Patchbay, go to the Inputs page.
1
Click the Channels or FX Returns tab to the left of the grid
2
to display the type of channels you want to use.
Click the Pro Tools tab at the top right of the grid to show
3
the available FWx channels.
Click in the grid to route FWx channels to D-Show Input or
4
FX Return channels.
Patching FWx channels to D-Show FX Returns for playback
From the ACS or channel Input screens, assign routing for
5
each FWx channel as needed:
• Assign to the main L/R bus to include FWx audio in the
main mix of a performance.
• Assign to a Group, Aux, Matrix, or PQ bus for submixing
and monitoring.
You can leave FWx channels unassigned and still monitor
them in the Solo bus and headphones.
.
To avoid potential feedback loops, make sure no channels
are simultaneously routing to and receiving from any
record-enabled Pro Tools tracks.
Monitoring FWx Recordings Through D-Show
To monitor the recording through D-Show, configure
Pro Tools signal routing to play back the main stereo mix
through two available Input or FX Return channels. In
D-Show, leave the Input or FX Return signal routing unas-
signed and use Solo to monitor the recording.
To monitor FWx recording from D-Show:
In Pro Tools, check the output assignment shown for the
1
currently record-enabled tracks, as follows.
• If Pro Tools is only being used for recording, make sure
the recording tracks are assigned to an available FWx
channel pair.
– or –
• If simultaneously using Pro Tools to record and play back
audio, check output routing to avoid potential feedback
loops. Make sure record-enabled tracks do not share the
same output assignment as any playback tracks. Assign
output of the recording tracks to a discrete pair of FWx
channels.
In the Patchbay, route the FWx channels to D-Show Input
2
Channels or FX Returns. See "To route FWx channels to Input
Channels and FX Returns:" on page 13.
Using the ACS or channel Input screens, make sure the FWx
3
record monitoring channels are not assigned to any D-Show
bus or output, as follows:
• Make sure no Group Bus indicators are lit; press any lit or
flashing indicators to unassign.
• If you selected multiple channels, the LEDs flash to indi-
cate a mixed state of assignments among all the currently
selected channels.
• Press a flashing indicator LED once to reset all selected to
the same setting (usually, assigned). Press again to toggle
and unassign all selected channels in unison.
Using Synchronization and Time Code
with FWx
The FWx Option only communicates audio data between
D-Show and Pro Tools.
If you plan to use Pro Tools as a MIDI Time Code master or
slave, a separate MIDI connection for the Pro Tools host com-
puter is required. Use a USB MIDI interface with Pro Tools,
and connect its ports to the MIDI In/Out ports on the
FOH Rack or Mix Rack.
For complete information on synchronization and time code
features, see the user guide that came with your VENUE
system.
Chapter 3: Using FWx 13