Sony a7 III 매뉴얼 - 페이지 17

{카테고리_이름} Sony a7 III에 대한 매뉴얼을 온라인으로 검색하거나 PDF를 다운로드하세요. Sony a7 III 19 페이지.

HD vs 4k

Realistically, you should always shoot at the highest quality you can. You can always

downgrade to a lower more manageable quality footage afterwards, but you can't upgrade.

4K renders a cleaner image across the board so would ideally be the best. Additionally, if

shooting at night, always shoot in 4k.

That said however, there are problems inherent with working at higher resolutions and they

can be project breakers if not thought about in advance.

Such an example is hard drive space; 4k footage takes up a tremendous amount of space,

depending on the format and codec. Not only that, but they would require proxy files in

order to edit with. Proxy files can take up (+/-) 2 times the space of the original files, which

would mean a lot of hard drive space is required.

The specification of the computer being used to edit on is also a factor as well as the editing

software itself. A slow computer could take days or more to create proxy files depending on

how much footage you have.

Then there is the export process which again, if you have 4K source footage, could take a

very long time with a slow low spec computer, potentially days.

Another thing to do is try using an Atomos external monitor to take advantage of the higher

bit rate (10bit vs 8bit), although it doesn't carry many benefits save being wrapped in 422

codec; although this does get you a better colour profile. The noise produced is of a very

similar level.

Creative Media Centre

Sony A7 III Settings Guide

David Turner

October 2019