Yamaha DX27S 사용자 설명서 - 페이지 15
{카테고리_이름} Yamaha DX27S에 대한 사용자 설명서을 온라인으로 검색하거나 PDF를 다운로드하세요. Yamaha DX27S 19 페이지. Digital programmable algorithm synthesizer
Yamaha DX27S에 대해서도 마찬가지입니다: 음성 프로그래밍 매뉴얼 (19 페이지), 소유자 매뉴얼 (26 페이지), 소유자 매뉴얼 (39 페이지), 소유자 매뉴얼 (25 페이지), 소유자 매뉴얼 (25 페이지)
페이지 인쇄
This voice is called
HARPSI- PIANO simply because the lower range sounds much
VOICE 5:
like an acoustic piano while the upper range has a more harpsichord-like timbre.
HARPSI-PIANO
ALGORITHM 1 is used with carrier OP1 and all three modulators contributing to
the total voice.
DATA NAME : HAKPS/— РМО
DATE :
NUMBER :
PROGRAMMER
:
PITCH
STARA
MODULATION
SENSITIVITY
о |
оог.
0 [ai | га | o | EL
ато
ш.
|31/4-00
DIE
3/
| uk | 69 | 2 | 2 |
ie
ЕТЕ [ә
|s| o
rug に
2 |
ne
БЕ ЖАК ТШЕ
tS
Ж МАНУ m
meo RATIO Geruw [am
[т
[т
oz
[ч 、 ]ouruEveulRere
[Ей
[ерда
OSCILLATOR
ENVELOPE GENERATOR
H PORTAMENTO
FOOT SW
WHEEL RANGE
BREATH RANGE
piron i BEND
|
WHEEL RANGE
|
BREATHRANGE —
|
FOLVMONO ад
ASSIGN [PITCH [AMPLITUDE
PITCH BIAS]
EG BIAS |
Full T.
my «Мо |зеј 2 | о | о [о но
Note the rather extreme frequency ratio settings of ОР 3 and OP4. These are critical
to the voice. Try changing the frequency ratio of OP3, in particular, and see how
much it changes the timbre of the voice. By modifying the frequency ratios of OP3
and OP4 it is possible to create a broad range of interesting and very useful voices.
Also note that the heavy KEYBOARD
SCALINGLEVEL
is required on OP2, OP3
and OP4 to maintain the quality of the voice across the entire keyboard range. If
you reduce these level scaling values, the notes at the top of the keyboard range
will become unbearably sharp and tinny.
The TRANSPOSE
parameter
is set to C2—an
octave
lower than usual—to
take
advantage of the fat, rich string effect in the lower keyboard range.
14