Yamaha S90 ES 짧은 설명서 - 페이지 5

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Yamaha S90 ES에 대해서도 마찬가지입니다: 빠른 시작 매뉴얼 (4 페이지)

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And in a similar fashion to before, you would need

to set the initial level of the Element(s) that you

are controlling to zero (bias its level to the MW).

Instead of "Total Voice Volume" we are looking for

the level of this particular Element. This is found

on the Element Amplitude

Element Level editing by pressing program button

[2] (Element 2 Select)

Then press [F4]:Amp/ [SF1]:Lvl/Pan

Set EL2 Level to 0

When you set Element 2's Level to 0, it is biased

to the MW. This is a very flexible arrangement.

You can expand upon it and dream up your own

configurations. For example, you could take

Control Set 2 and program it to control just

Element 1 with the same Mod Wheel but set the

ELM–Lvl DEPTH to –64. Now when you move the

wheel it will fade out one sound and fade in the

other.

Notice you did not have to set the Element Level

for Element 1 to 0. This is because if you did and

then applied a minus value to it...this would be

illogical...because levels below 0 are still inaudible.

Experiment.

A similar scenario occurs when you assign a Voice

to Breath Control. You want the Voice to only pay

attention to (be biased to) input from the Breath

Controller (cc #002). In such a case you may

want to reduce the overall volume of the Voice to

0 or the element level to 0. Which one you use

will depend on what it is you are trying to

accomplish. This way the volume will be entirely

determined by the amount of breath pressure

applied to the BC3. Note-ons do not turn the

sound on alone. They must be accompanied by a

burst of breath (air) pressure (cc #002) applied to

the mouthpiece.

Note: It must be stated here that Breath Control works

best of all on VL physical modeled voices (optional

PLG150-VL board). The Virtual Acoustic technology is

meant to respond perfectly with breath control input. In

page:

Return to

the technology there is an acoustically accurate change

in timbre, pitch and amplitude in response to BC

'pressure' control. The sound of VL will mimic the

'behavior' of acoustic instruments. When controlling

non-VL type voices you might try assigning breath

control (BC) to vary the cutoff frequency of the filter. In

such a case you may want to program the initial value of

the filter to something other than zero – set to taste.

This would require you to go into the Voice element level

and set the cutoff frequency of the filter for each

element you want to control. Each element can have a

different filter type and cutoff/resonance. Each element

that you add can have its own filter and filter settings.

Note 2: When using Breath Control on sampled-based

Voices you may find it easier to just reassign the BC to

Expression.

Here's

how:

[UTILITY]/ [F3]:VOICE/ [SF3]:CtlAsn and set BC = 11

Expression. This will allow you to immediately control

any internal sound with BC - without any further

programming.

FOOT PEDALS

The same scenario holds true for controlling

volume with an optional Yamaha FC7 (sweep

control pedal) plugged into the Foot Control jack

(FC2). Foot Control (cc #004) can be assigned to

control many different parameters within a synth

voice. (Not to be confused with Foot Volume (cc

#007)

which

always

Volume). There is always some confusion here

because they both use the same FC7 pedal –

however, the function can be quite different. One

key difference is that if you use cc007 every thing

connected to that MIDI channel will be controlled

the same. If you use the assignable Foot Control

cc004 you can choose the destination parameter

for the foot pedal and it will only affect the S90 ES

and only the Elements of the S90 ES sound that

you designate.

Foot Control (cc004) can be assigned to control

the internal volume of the S90 ES in a similar

fashion to how we did the MW experiment. Simply

follow the same steps we did with the MW, above,

to assign the Foot Controller (FC04) to be the

Source and set volume as the (DEST) destination.

When you set the Volume to 0 you will have

biased total volume to the Foot Controller.

Note: If the parameter to be controlled is set at any

value other than 0, you are, in affect, setting a

minimum value. In the case of our volume example, this

would be the minimum volume when the controller was

in the heel down position. In some instances you may

wish to set the minimum to a value other than zero as

the stored condition (especially for Live players this is

invaluable). The example above is useful in a scenario

where you want to control the internal S90 ES sound

with a separate foot pedal from what is sent via MIDI.

After any and all Voice edit procedures you should

STORE and then SAVE data (if it is worthy of

from

Voice

mode

press

controls

MIDI

Channel