Yamaha KX88 공인 제품 설명서 - 페이지 19

{카테고리_이름} Yamaha KX88에 대한 공인 제품 설명서을 온라인으로 검색하거나 PDF를 다운로드하세요. Yamaha KX88 38 페이지. Midi master keyboard
Yamaha KX88에 대해서도 마찬가지입니다: 소유자 매뉴얼 (38 페이지), 소유자 매뉴얼 (38 페이지), 서비스 매뉴얼 (17 페이지)

페이지 인쇄

Let's save the assignments you have made so far (if you

have been following the examples) in code memory 2. Press

SAVE and then press bank B program switch 2.

This number will blink in the lower display, Press 2 again

and all the settings you have made will be stored in this

code memory.

LOAD

Use this to LOAD (recall) one of the settings saved in the

16 code memories. When you press LOAD, the upper dis-

play will show LO. Now choose one of the code memories

by pressing one of the bank B select switches 1-16.

This function may be selected while in PLAY mode by

assigning a controller to controller code 07.

Let's LOAD code memory 1. (This memory still has the

initial assignments and settings.) Make sure you SAVE the

current settings first, or else they will be gone forever.

Press LOAD and then bank B select switch 1.

Go back to PLAY mode and try using the controllers.

TS1 = MONO, POLY; CS1 = VOLUME A; WH2 = MODU-

LATION etc.

Now, try recalling the setting that you stored in code

memory 2. (see LOAD)

TS1 = OCTAVE UP/DOWN; CS1 = TUNE A; WH2 =

VOLUME etc.

Each controller can have totally different functions in each

setting, and it can be difficult to remember just what is in

each code memory, so we suggest that you keep a memo of

each settings. You may copy the form on page 32.

We have finished our explanation of CA mode.

Experiment, and try out your own ideas. We suggest that

you leave code memory 1 as it is (the original setting).

That way, if you become totally confused, you'll have a

familiar setting to come back to.

PA (Parameter Assign) MODE

In the last section (CA mode), we learned how to assign

controller codes to controllers. Controller codes 00-3F and

their definitions are printed on the KX88. These controller

codes cannot be redefined. However, you may define the

remaining controller codes 40-FF to be any MIDI informa-

tion you want.

The basic procedure in PA mode is;

1. Enter a controller code (40:FF)

2. Enter MIDI data for that controller code.

FUTURE USES OF PA MODE

There are still some undefined messages in MIDI. This is

because musical instrument manufacturers have agreed to

leave room for future developments. When this happens,

you will use PA mode to define controller codes as these

new MlDI messages.

Depending on what type of MIDI data you want to send,

there are 3 main functions in PA mode. (bank A select

switches 11-13)

CONTROL CHANGE

CONTROL

CHANGE

Use this to define a controller code as a MIDI CONTROL

CHANGE. (Pitch bend, after touch, breath controller, foot

controller etc. are Control Changes.)

Most MIDI data is sent in groups of three "bytes". (pieces

of information) Let's use the Modulation Wheel as an

example. When the Modulation Wheel is moved, three MIDI

bytes (numbers from 00 to FF) are sent. The first one

announces "This is a Control Change and it's coming on

MIDI channel 1 (or whatever channel it happens to be)."

The second byte says "This is the Modulation Wheel." And

the third byte tells the current position of the Modulation

Wheel.

When you use CONTROL CHANGE, you must enter this

second byte. In other words, you will decide the new

identity of the controller. MIDI control change data is

included in chapter 3 of this manual on page 00.

- 1 7 -