Ashdown Fallen Angel 100 DSP Combo & Head 사용 설명서 - 페이지 5

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Front Panel Facilities

INPUT - The single jack input socket perfectly

matches passive guitars with its very high

impedance but still retains sufficient

headroom to cope with the output from

modern active instruments.

CHANNEL 1

Channel 1 is intended to be used mainly as a

CLEAN channel.

GAIN - The setting of the GAIN control will

depend very much on the output level of the

guitar being used. For single coil pickups the

sound will be clean for most of the range of

the control with a slight edge only on the

maximum setting. For humbueking pickups

the sound will be clean up to about 12

O'clock with a slight edge being added

beyond this and a definite crunch on

maximum.

TREBLE, MIDDLE, BASS - The Treble, Middle

and Bass controls are a traditional passive

guitar tone network and as such are

somewhat interactive in their function. This

type of tone network provides the best

overall character for the guitar, giving a

classic, vintage, full-bodied guitar tone. The

values of components used in the channel 1

tone control network have been chosen to

best suit a Clean and Sparkling guitar tone.

VOLUME - Channel 1 has its own Volume

control to allow channel I and channel 2 to

be easily balanced in level against one and

other. It is best in terms of background noise

and overall tone to use this control set as

high as possible and the Master control set as

low as possible for the required playing

volume.

CHANNEL SELECT AND CHANNEL 2 BOOST

- Between Channel 1 and Channel 2 there is a

single push button used for selecting

'Channel 1 / Channel 2' from the front panel.

If the footswitch is to be used this push

button must be left in its OUT position for the

footswitch to operate. Channel 1 or Channel

2 activity is indicated by LEDs either side of

this push button. Channel 2 Boost can only

be selected from the footswitch and an LED

to the right of the Channel 2 Gain control

indicates Channel 2 Boost.

CHANNEL 2

Channel 2 is a very versatile channel and can

be used for fluent solo playing as well as

power chords, big fat bottom end muted

notes and chords as well as screaming and

soaring over the top lead lines. Because of

the dynamics available on this channel the

use of the guitars own volume control can

open up a whole range of other uses. For

instance by winding the guitar volume back

and playing lightly it can be clean, hit the

string a bit harder and it has and edge to it,

use the guitar volume control to wind into a

singing soloing voice. Muted notes and

chords retain a solid fat bottom end whilst

solo lines can be full and singing with a

saturated, smooth distortion that still retains

a degree of dynamics.

GAIN/CHANNEL 2 BOOST - Channel 2 Gain

control has a vast range available (especially

when used with the Channel 2 Boost facility).

At its lowest setting Channel 2 can be clean

whilst at its maximum setting it provides a

fully saturated, very high gain, over the top

lead tone. We have been very careful to

ensure that the fat bottom end is retained

throughout the entire range of this Gain

control. Channel 2 has been designed to

allow you to set the GAIN control somewhere

in the middle of its range for chords and

general playing and then use the BOOST to

add that extra gain for soloing or OTT fat

muted chords or muted note lines. Adding

the BOOST also makes this channel ideal for

tapping styles. If you want no holds barred,

balls out, over the top guitar then Channel 2

can be used with maximum GAIN and BOOST

but be warned you will have such a massive

degree of gain that it may be somewhat

uncontrollable.

TREBLE, MIDDLE, BASS - The Treble, Middle

and Bass controls are based on a traditional

passive guitar tone network and as such are

somewhat interactive in their function. This

type of tone network provides the best

overall character for the guitar, giving a

classic, full-bodied guitar tone. The values of

components

used in the channel 2 tone control network

have been chosen to best suit a modern,

high gain, saturated guitar sound (with big

bottom end). It is recommended to use the

Treble and Middle controls set between

minimum and 12 o'clock. The bass control

can be used set on maximum if desired.

The tone and saturation in this channel

comes mainly from the carefully designed all

tube pre-amp so you do not need to use the

amp on 11 to get a decent sound.

VOLUME - Channel 2 has its own Volume

control to allow channel 1 and channel 2 to

be easily balanced in level against one and

other. It is best in terms of background noise

and overall tone to use this control set as

high as possible and the Master control set as

low as possible for the required playing

volume.

INTERNAL DSP EFFECTS - The FA50 and FA

100 Watt amplifiers have I 6 built in Digital

Signal Processor (DSP) effects. These can be

selected from the front panel I 6 way rotary

switch. The 16 Effects available are: 4 x

Chorus, 4 x Flanger & 8 x Delay, all have been

specially created specifically for guitar use.

The DSP Effects can be switched IN/OUT with

the front panel push switch. Effects IN is

indicated with the LED next to this push

button switch. If you are using the foot

switch then leave this front panel push

button in its OUT position.

INTERNAL DSP REVERB - The level of the

DSP reverb is set using the Reverb Level

control next to the I 6 way rotary switch. The

actual type of REVERB has been specially

created for guitar use and to be a big

improvement over traditional Spring Reverb.